Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords 15th century • Art history and ethnography • Marble slab • Soviet painter • Richard Wollheim • Artie Vierkant • Berlin Dada • Eugene Lanceray • Museum of Painterly Culture • History of collections • VKHUTEMAS • Art Nouveau • Post-Impressionism • Art ontology • Post-media condition • Influence • Russian art • Bouchot • Reception • Artistic reception • Weimar art • Film studies • Livre d’artiste • Contemporary Soviet Art • Italian Studies • Pre-Columbian art • Nineteenth-century editions • ‘Peace’ • Apocalypse • Dogma • Nostalgia • Celebration of unity • Post-soviet society • Unity of West and East • Easel painting • Soviet architectural décor • Gunch • Type-token distinction • Print • Post-soviet art • Abstraction • Modernism • Project Method – Dynamics • Religion • ‘Motherland’ • Monumental painting • Dmitry Zhilinsky • Allegory for peace • Italian painting • Edwardian gift book • Timur Novikov • Stucco • Venturi • Central Asian architectural décor • Speculative cinema • Islimi • Postcolonial studies • Interpretation • Old masters • Shape of water • Book illustration • Christianism • Pre-Columbian collections • Prophecy • Non-European art exhibitions • Compositional axes • Islamic architectural ornament • Miniature • Symbols • Statics • Allegory of Russia • Easel Painters’ Society • Peltae pattern • Expressionism • New Objectivity • Nicholas Roerich • Videographic criticism • Non finito • Дмитрий Жилинский • Academicism • Parody • Kazan railway station • Roger Fry • Perception • Art ‘before Raphael’ • Systems • Formula similarity • Proto-Renaissance • Canon • Visual perception • Soviet painting • YouTube • Girikh • Joseph Margolis • Quattrocento • Nineteenth-century France • National style • Woodcut • Medieval mosaic floor • Tangible forms

Thema codes AGA • QDT • 1D

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua ru, en, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.