Quel matto che chiamano l’autore

« previous chapter | next chapter »

Iscriviti alla newsletter

DC Field	Value
dc.identifier	ECF_chapter_260
dc.contributor.author	Marchiori Ferdinando
dc.title	Quel matto che chiamano l’autore. Tracce performative nella scrittura della trilogia di Nane Oca
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Scabia’s work is hardly decomposable in its different elements: poetry, narrative and theatrical practice are deeply intertwined and ascribable under the unique and complex ‘label’ of ‘writing’. This paper analyses the process of writing focusing on forms and expressions of what it is possible to identify as a ‘dynamization’ of the text. Different strategies contribute to disclose the performative potential of the writing, which emerges most of all through the authorial mimesis. The author-narrator breaks the narrative hierarchy up and frequently becomes an actual character inside the story, playing with the reader and multiplying the thresholds of the text.
dc.relation.ispartof	Quaderni Veneti. Studi e ricerche
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2016-04-01
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-069-3/quel-matto-che-chiamano-lautore/
dc.identifier.doi	10.14277/6969-079-2/QV_SR-2-9
dc.identifier.issn	2610-8941
dc.identifier.eissn	2610-9530
dc.identifier.isbn	978-88-6969-069-3
dc.identifier.eisbn	978-88-6969-079-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Authorial mimesis
dc.subject	Authorial mimesis
dc.subject	Oral textual strategies
dc.subject	Oral textual strategies
dc.subject	Performativity
dc.subject	Performativity

Chapter
open access

Quel matto che chiamano l’autore

Tracce performative nella scrittura della trilogia di Nane Oca

Ferdinando Marchiori -

VIEW PDF DOWNLOAD PDF

abstract

Scabia’s work is hardly decomposable in its different elements: poetry, narrative and theatrical practice are deeply intertwined and ascribable under the unique and complex ‘label’ of ‘writing’. This paper analyses the process of writing focusing on forms and expressions of what it is possible to identify as a ‘dynamization’ of the text. Different strategies contribute to disclose the performative potential of the writing, which emerges most of all through the authorial mimesis. The author-narrator breaks the narrative hierarchy up and frequently becomes an actual character inside the story, playing with the reader and multiplying the thresholds of the text.

Language

ISBN (PRINT)

978-88-6969-069-3

ISBN (EBOOK)

978-88-6969-079-2

Keywords: Authorial mimesis • Performativity • Oral textual strategies

permalink: http://doi.org/10.14277/6969-079-2/QV_SR-2-9

Copyright: © 2016 Ferdinando Marchiori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

References to this chapter

How to cite