Taking and Denying
Challenging Canons in Arts and Philosophy
edited by
abstract
The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).
Modernism • Bouchot • Celebration of unity • Compositional axes • Museum of Painterly Culture • Nineteenth-century editions • New Objectivity • Speculative cinema • Artie Vierkant • Shape of water • Canon • Perception • Islamic architectural ornament • Interpretation • Easel Painters’ Society • Non finito • Pre-Columbian art • Joseph Margolis • Soviet painter • Art ‘before Raphael’ • Systems • Pre-Columbian collections • Medieval mosaic floor • Richard Wollheim • Art Nouveau • Italian painting • Unity of West and East • Nostalgia • Soviet architectural décor • Academicism • Religion • Woodcut • Dmitry Zhilinsky • Old masters • Reception • Nicholas Roerich • Proto-Renaissance • Nineteenth-century France • Type-token distinction • Timur Novikov • Allegory of Russia • Marble slab • Contemporary Soviet Art • Prophecy • Art history and ethnography • Videographic criticism • VKHUTEMAS • Post-Impressionism • Edwardian gift book • History of collections • Project Method – Dynamics • Symbols • YouTube • Dogma • Weimar art • Stucco • Non-European art exhibitions • Statics • ‘Motherland’ • Peltae pattern • Central Asian architectural décor • Livre d’artiste • ‘Peace’ • Post-soviet society • Post-soviet art • Post-media condition • Film studies • Print • National style • Artistic reception • Tangible forms • Allegory for peace • Russian art • Gunch • Expressionism • Italian Studies • Soviet painting • Christianism • Book illustration • Venturi • Visual perception • Monumental painting • Miniature • Abstraction • Parody • Berlin Dada • Postcolonial studies • Art ontology • Apocalypse • Girikh • Easel painting • Islimi • Formula similarity • 15th century • Kazan railway station • Roger Fry • Дмитрий Жилинский • Influence • Eugene Lanceray • Quattrocento