Rituals of Signs and Metamorphosis

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DC Field	Value
dc.identifier	ECF_book_462
dc.creator	Wannūs Saʻd Allāh
dc.creator	Censi Martina
dc.title	Rituals of Signs and Metamorphosis. Ṭuqūs al-išārāt wa-l-taḥawwulāt
dc.type	Monograph
dc.language.iso	it
dc.description.abstract	Ṭuqūs al-išārāt wa-l-taḥawwulāt (Rituals of Signs and Transformations), published in 1994, is a play which can be attributed to the last phase of Saʿd Allāh Wannūs’s literary production. At this stage, the Syrian author’s political commitment is no longer expressed through the interest for the collective dimension, but it focuses on the individual, considered as a pivotal element for social change. In Ṭuqūs, Saʿd Allāh Wannūs revisits history from an individual point of view, fragmenting it into a multiplicity of micro-narratives. During the 1880s in Damascus, the muftī, the chief religious legal authority, and the leader of the ašrāf, the descendants of the Prophet, are involved in a feud that splits the city into factions and brings it on the verge of anarchy. When the chief of police arrests the leader of the ašrāf while he is engaged in lovemaking with his mistress in his semi-private garden, the muftī concocts a scheme to save his enemy’s reputation, but his real aim is to subdue him and get rid of him. This event triggers a series of transformations involving the identities of the characters. Thus, the leader of the ašrāf, a regular of prostitutes and assiduous drinker, suddenly becomes a mystic with ascetic ambitions, while the upright muftī loses his head for a high-ranking woman who leaves her respectable life to become a prostitute. The whole society is destabilized by the desires of the characters. Desire not only affects their individual identity, but it also exerts influence on their social position, undermining a system of norms based on hypocrisy and on the division between the ‘latent’ and the ‘manifest’.
dc.relation.ispartof	I grandi libri della letteratura araba
dc.identifier.doi	10.30687/978-88-6969-475-2
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-21
dc.dateSubmitted	2020-09-25
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-476-9/
dc.identifier.issn	2610-9492
dc.identifier.eissn	2610-8909
dc.identifier.isbn	978-88-6969-476-9
dc.identifier.eisbn	978-88-6969-475-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Arabic theatre
dc.subject	Committed theatre
dc.subject	Rituals of Signs and Transformations
dc.subject	Saʻd Allāh Wannūs
dc.subject	Syrian drama

Monograph
open access

Ṭuqūs al-išārāt wa-l-taḥawwulāt

Saʻd Allāh Wannūs

edited by

Martina Censi Università degli Studi di Bergamo, Italia

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abstract

Ṭuqūs al-išārāt wa-l-taḥawwulāt (Rituals of Signs and Transformations), published in 1994, is a play which can be attributed to the last phase of Saʿd Allāh Wannūs’s literary production. At this stage, the Syrian author’s political commitment is no longer expressed through the interest for the collective dimension, but it focuses on the individual, considered as a pivotal element for social change. In Ṭuqūs, Saʿd Allāh Wannūs revisits history from an individual point of view, fragmenting it into a multiplicity of micro-narratives. During the 1880s in Damascus, the muftī, the chief religious legal authority, and the leader of the ašrāf, the descendants of the Prophet, are involved in a feud that splits the city into factions and brings it on the verge of anarchy. When the chief of police arrests the leader of the ašrāf while he is engaged in lovemaking with his mistress in his semi-private garden, the muftī concocts a scheme to save his enemy’s reputation, but his real aim is to subdue him and get rid of him. This event triggers a series of transformations involving the identities of the characters. Thus, the leader of the ašrāf, a regular of prostitutes and assiduous drinker, suddenly becomes a mystic with ascetic ambitions, while the upright muftī loses his head for a high-ranking woman who leaves her respectable life to become a prostitute. The whole society is destabilized by the desires of the characters. Desire not only affects their individual identity, but it also exerts influence on their social position, undermining a system of norms based on hypocrisy and on the division between the ‘latent’ and the ‘manifest’.

Published

Dec. 21, 2020

Submitted

Sept. 25, 2020

Language

ISBN (PRINT)

978-88-6969-476-9

ISBN (EBOOK)

978-88-6969-475-2

Keywords

Syrian drama • Arabic theatre • Rituals of Signs and Transformations • Committed theatre • Saʻd Allāh Wannūs

permalink http://doi.org/10.30687/978-88-6969-475-2

Copyright: © 2020 Saʻd Allāh Wannūs. Martina Censi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.