Roma 1786: la carica di Assessore alla Scultura e i

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DC Field	Value
dc.identifier	ECF_chapter_9616
dc.contributor.author	Piva Chiara
dc.title	Roma 1786: la carica di Assessore alla Scultura e i suoi candidati
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	The Edict Valenti-Gonzaga, issued in 1750, aimed to improve the protection of the artworks in Rome by establishing three Assessors with the duty to supervise respectively sculptures, paintings, and antiquities across the city. Focusing on 1786, when the position of assessor for sculptures remained vacant, this essay offers an accurate reading of the role of this officer in the cultural context of the time. Based on extensive archival documentation relating to the candidacies for this position in 1786, the article highlights the power relationships between the sculptors and the dynamics of the Roman art market. Giuseppe Antonio Guattani’s final choice is also an opportunity to reflect on the relationship between artists and scholars in eighteenth-century Rome.
dc.relation.ispartof	Sapere l’Europa, sapere d’Europa
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2022-06-21
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-624-4/roma-1786-la-carica-di-assessore-alla-scultura-e-i/
dc.identifier.doi	10.30687/978-88-6969-623-7/001
dc.identifier.issn	2611-0040
dc.identifier.eissn	2610-9247
dc.identifier.isbn	978-88-6969-716-6
dc.identifier.eisbn	978-88-6969-623-7
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Art market
dc.subject	Assessor for sculptures
dc.subject	Conservation
dc.subject	Eighteenth century
dc.subject	Heritage protection
dc.subject	Rome

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Roma 1786: la carica di Assessore alla Scultura e i suoi candidati

Chiara Piva Sapienza Università di Roma, Italia

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abstract

The Edict Valenti-Gonzaga, issued in 1750, aimed to improve the protection of the artworks in Rome by establishing three Assessors with the duty to supervise respectively sculptures, paintings, and antiquities across the city. Focusing on 1786, when the position of assessor for sculptures remained vacant, this essay offers an accurate reading of the role of this officer in the cultural context of the time. Based on extensive archival documentation relating to the candidacies for this position in 1786, the article highlights the power relationships between the sculptors and the dynamics of the Roman art market. Giuseppe Antonio Guattani’s final choice is also an opportunity to reflect on the relationship between artists and scholars in eighteenth-century Rome.

Published

June 21, 2022

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ISBN (PRINT)

978-88-6969-716-6

ISBN (EBOOK)

978-88-6969-623-7

Keywords: Conservation • Eighteenth century • Art market • Heritage protection • Assessor for sculptures • Rome

permalink: http://doi.org/10.30687/978-88-6969-623-7/001

Copyright: © 2022 Chiara Piva. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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