The Aesthetics of Emptiness
Voids, Fullness, Sounds, Silences, Presences, Absences
open access | peer reviewed
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edited by
- Silvia Rivadossi - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Cecilia Franchini - Conservatorio di Musica Benedetto Marcello, Venezia - email
- Bonaventura Ruperti - Università Ca’ Foscari Venezia, Italia - email orcid profile
Abstract
This volume follows the International Festival Japan Contemporary Arts in Venice The Aesthetics of Emptiness, organised between 21 and 24 February 2022 by Benedetto Marcello Music Conservatory in Venice, the Department of Asian and North African Studies of Ca’ Foscari University of Venice, and Venice Academy of Fine Arts (institutions united in the Study in Venice project), with the generous support of the Japan Foundation. During the Festival, musical performances, concerts, workshops, meetings with Japanese artists, and conferences led participants to immerse themselves in Japanese arts and culture. The structure of the volume is designed to allow the reader to relive these experiences, also through multimedia content, and to explore some of the themes that emerged. The first section is dedicated to the events curated by Benedetto Marcello Music Conservatory and Venice Academy of Fine Arts, while the second brings together some of the contributions presented during the conference organised by the Department of Asian and North African Studies. The various essays revolve around the themes of sound, silence, emptiness, fullness, presence, and absence, and are dedicated to the memory of Bonaventura Ruperti.
Keywords Mori Mariko • Lettera alla madre • Greek lullaby Κοιμήσου καί παρήγγειλα • Lost decades • Medieval Japan • Japanese art • Shō • AKA Serial Killer • Architecture and emptiness • Emptiness • Edogawa Ranpo • Estetica del vuoto • Japan aesthetics • Japanese ink painting (sumie) • Suzuki Daisetsu • Calligraphy • Adachi Masao • Auto-orientalismo • Etude III • Japanese film music • Buddhism • Hosokawa • Aesthetics • Japanese music • Tanizaki Jun’ichirō • Japanese cinema • Soundtrack • Akutagawa Ryūnosuke • Synaesthesia • Music composition and childhood memory • Oguri Kōhei • Ma • Fūkeiron • Governmentality • Calligraphy-painting • Cinema • Toshio Hosokawa • Documentary • Film genres • Japanese mouth organ • Noh music • Noh theater • Zen • Youth • Japanese modernism • Aesthetic of Emptiness • Silence and sound • Bushi • Japanese literature • Hagiwara Sakutarō • Zeami Motokiyo
Permalink http://doi.org/10.30687/978-88-6969-701-2 | e-ISBN 978-88-6969-701-2 | ISBN (PRINT) 978-88-6969-702-9 | Number of pages 200 | Published April 21, 2023 | Language en, it
Copyright © 2023 Silvia Rivadossi, Cecilia Franchini, Bonaventura Ruperti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.