El teatro clásico español y su traducción entre texto literario y práctica escénica
open access | peer reviewed
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edited by
- Claudia Demattè - Università degli Studi di Trento, Italia - email
- Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
- Marco Presotto - Università degli Studi di Trento, Italia - email
Abstract
The book reflects on translating Golden Age theater in the contemporary era. Following the publication of the project’s founding volume in 2020, a diverse group of scholars focuses here on theoretical aspects and unique case studies. They explore new perspectives on the relationship between translation work, the demands of performative texts, and cultural dissemination in a global context.
Keywords Retranslation • Lembit Peterson • Il miglior giudice è il re • Dramaturgy • Gherardo Marone • Poetic translation • Russia • Intercultural reception • Ain Kaalep • Fidelity • Golden Age theater • Spanish classical theatre • Alterité • Theatre translation • L’audace Belisa • El mejor alcalde, el rey • Spanish Golden Age drama • Verbal humour • Rhyme • August Sang • Accessibility • David Johnston • Metre • Orazio Costa’s theatrical production • Translation canon • Heteropoetics • Cervantes • Ruggero Jacobbi • Stage performance • Staging • Foreignizing • Jean-Michel Déprats • La vida es sueño • Lawrence Venuti • Diversifying the Classics • Surtitles • Literature • La boba para los otros y discreta para sí • Estonia • Entremeses • Puns and jokes • The mimic method • Raffaello Melani • Adaptation • Sigismund’s lament • Literary canon • Friedrich Schleiermacher • Lope de Vega • Reception • Translation • Twentieth century Italian translations • The translation of Enrica Cancelliere • Hispanism • Verse translation • Homopoetics • Le bizzarrie di Belisa • Translating theatre • La Duchessa di Urbino • Subtitles • Translation theory • Antoine Berman • George Steiner • Onomastics
Permalink http://doi.org/10.30687/978-88-6969-948-1 | e-ISBN 978-88-6969-948-1 | Published Oct. 27, 2025 | Language es, en
Copyright © 2025 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.