Annali di Ca’ Foscari. Serie occidentale

55 | 2021

open access | peer reviewed

Keywords Speech act • Russian L2 • Stage • Styles • Greek tragedy in post-Apartheid theatre • Arab-Americans • Japanese American Literature • Request • Self-perception • Singing • Dostoevsky • Consonants • Divided language • Phonetics • Metaphor • La cena del rey Baltasar • Snapshots • Intercultural citizenship • Face masks • Discourse marker • Intermediality • Topic • Hapax • Boundaries • Verum focus • Modal particle • Italian L2 • Crime and Punishment • Ernst Jünger • Intertextuality • Individuality • Photography • Metamorphosis • Textual criticism • Pedro Calderón de la Barca • Translation Studies • Wuthering Heights • Speech community • Puppet • Forgetfulness • German literature • Ways of thinking • Gnoseology • Nature • Transcultural intertextuality • Sociolinguistics • Primary education • Linguistic repertoires • Gene Oishi • Visibility and Invisibility • Interlanguage Pragmatics • Split scene • Computer-mediated communication (CMC) • Invisibility • Foreign language education • Yäel Farber • Contemporary American literature • German language • Theatre • Technology • Intercultural awareness • Philosophy of language • Family • Molora • Model Minority • Polarity • Arabizi - Arabic chat alphabet • Modernity • Loubok • Sight • 9/11 • Memory Studies • Connective • Intercultural competence • Intertextuality and hermeneutics • Spiritual exercises • Codeswitching • Marmeladov • The ‘non-representable’ • Speech • Literary geography • Félix Vallotton • Moroccan multilingualism • Japanese American Internment • Emily Brontë

Permalink http://doi.org/10.30687/AnnOc/2499-1562/2021/09 | Published Sept. 30, 2021 | Language it, es, de, en

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