Annali di Ca’ Foscari. Serie orientale

54 | 2018

open access | peer reviewed
Abstract

Keywords Hindi cinema • Public policy • Giacomo Leopardi • Exilic filmmaking • Mongolia • Reflexivisation • Mandarin Chinese • Social hybridity • Māyāmoha • Japanese foreign aid • Venice • Microcosm • Hash den • Postmodernism • Discourse • Japan • Humour • Division • Political theology • Tibetan diaspora • Post-Soviet civil society • NGOs and development • Italian literature • Tanizaki Jun’ichirō • Egyptian novel • Literary criticism • Sanskrit normative textuals traditions • Kyrgyzstan • Travelogue • Bṛhaspati • Manomaya-kāya • Georgian literature • Gift exchange • International democracy assistance • Cultural identity • Space • Aśoka • Ideas • Nik’oloz Baratašvili • Ottoman Empire • Buddhism • Peaceful revolution • Grammatical relations • Classical ecological discourses • Hybridity • State-civil society relations • Court records • Greek-Aramaic edict • Religious economy and ecology • Quantifier float • Shantytowns • Material culture • Zone • Jesuits • Hindi literature • Ottoman Syria • Sāmaññaphala-sutta • Ḥamā • Kandahar • Edgar Allan Poe • International development • Sudhīś Pacaurī • Aleppo • Qādiriyya • Semiotics of natural elements • Time • Sociology of knowledge • Heretics • Arachosia • Society • Beginning democratic transition • Argument selectors • Literary gardens • Edogawa Ranpo • Circulation of goods • Old Cairo • Renaissance • Śaśibhūṣaṇ Śītāṃśu • Book history • Globalisation • Purāṇas • Social change • Materialism

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2018/01 | Published June 25, 2018 | Language it, en

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