Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Indian Painting • Hino Ashihei • Xu Zechen • Ernesto de Martino • Parody • Uzun Ḥasan • Dervish Ceremonies • Washington Consensus • Khalīl b • Kwanyin Clan • Ottoman History • Contemporary Chinese art • Contemporary Japanese Literature • Upaniṣad • Inanimate objects in literature • Food piracy • Urban literature • Nation-state • Iddhi • The state • Buddhism • Society as a whole • Self-rotation • History of Sufism • Historical musicology • Ajavilāpa • Abhiññā • Othering • Japanese Cinema • Maqām/makam/mughām • Shiraz • Correspondence • Transaction costs • History of music in Central Asia • ʿAishī Shīrāzī • Society • Armenian Literature • Performance • Japan and Okinawa • Arabic language • Textual Criticism • South Asian Art • Elena Ferrante • Eznik of Kołb • Body • Learning • Chinese Middle-class Consumers • Dah-nāma • Orientalism • Possessive Individualism • Sufi Music • Rupture Movement • Agricultural trade • ʿIshrat-nāma • Gomorra-La serie • Ottoman Classical Music • Raghuvaṃśa • ʿInāyat-Allāh Beg • Japonisme • Mevlevî Ceremonies • Dolls as metaphors • Information asymmetry • World Bank • Arabic linguistics • Manomaya-kāya • Terayama Shūji • Chinese Values • Debt Relief • The social • Market economy • Modern Art Criticism • US-occupied Okinawa • Scholars’ network • Tammām Ḥassān • Funerary lament in ancient world • Identity • History of music in the Middle East • Adverse selection • Colonial gaze • Chinese fansubbing • Mevlevî Dervishes • Intellectual History • Mamluk period • Veda • Western Travels History • Made-in-Italy food • Civil society • Chinese literati • Methodius of Olympus • Connected History & Global History • Halo construct • Didactics of Arabic to non-Arabic-speaking • Fin-de-siècle Italy • Aq-Quyūnlū • Literature analysis • Intermediality • Chinese market • Imaginative geographies • 3/11 Literature • Linguistic taboo • Italian sounding • Non-professional translation • Mode • ‘Three perfections’ • Art Collecting • International Monetary Fund • Chinese rural-urban migrants • Taḏawwuq adabī • Takahashi Gen’ichirō • Contemporary Chinese literature • Spectatorship • Connected History & Global History • Dervishes • Euphemism • Pāli • Algeria • Globalisation • La figlia oscura • Nicolò Manucci • Graffiti

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language it, en, fr

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