Journal | Annali di Ca’ Foscari. Serie orientale
Journal issue | 56 | 2020
Research Article | Raccontarsi con le macerie: voce e autorialità in Fihris di Sinan Antoon
Raccontarsi con le macerie: voce e autorialità in Fihris di Sinan Antoon
- Federico Pozzoli - Università degli Studi di Milano, Italia - email
Abstract
The great expansion of post-occupation Iraqi fiction, with its overall departure from social realism and its exploration of new genres, has brought along a new conceptualization of the Author. This paper aims to study how a peculiar figure of authoriality is both invoked and projected through narrative voices in Sinan Antoon’s Fihris (2016). A complex and multi-layered text, Antoon’s novel is narrated by human and non-human voices. Yet, despite the scattered and fragmented surface of narration, a hierarchical, almost concentric organizational principle is provided by the relations between the main narrators in a context of metalepsis. The analysis will focus on the strategies of authentication employed by narrators of different diegetic levels in the novel, from the short stories embedded, to the further level of authority provided by the autobiographical elements in the narrative frame.
Submitted: Feb. 5, 2020 | Accepted: March 5, 2020 | Published June 30, 2020 | Language: it
Keywords Sinan Antoon • Authoriality • Iraqi Novel • Testimoniality • Voice
Copyright © 2020 Federico Pozzoli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2020/56/004
Articles
- Giorgio Damistra (1650-?), Theodoro Poulakis (1620-1692?) e il Barocco Levantino
- Magdelena Stoyanova
- June 30, 2020
-
Alla Mecca e Oltre
Una selezione di contratti di viaggio registrati presso il tribunale ottomano di Aleppo (secoli XVI-XVIII) - Marco Salati
- June 30, 2020
- Literary Trajectories of Sulaymān al-Ḥalabī, a Hero Who Was Born a Criminal
- Daniela Potenza
- June 30, 2020
- Raccontarsi con le macerie: voce e autorialità in Fihris di Sinan Antoon
- Federico Pozzoli
- June 30, 2020
- Al-mihna wa’l-huwiyya. Motivational Dimensions of Arabic Heritage Learners in a Professionally-Oriented Education Setting
- Marco Aurelio Golfetto
- June 30, 2020
- Whole-Part-Whole Reading Instruction in the Teaching and Learning of Arabic as a Foreign Language at Beginner Level
- Andrea Facchin
- June 30, 2020
- Aishī’s ʿIshrat-nāma: a Dah-nāma with Unexpected Messengers
- Anna Livia Beelaert
- June 30, 2020
- Pakistan-Ukraine. Analogies in the Triangles of Regional Security Complexes
- Yuriy Kotlyar, Marharyta Lymar, Iryna Tykhonenko
- June 30, 2020
- The Epistemological Model of Vedantic Doxography According to the Sarvadarśanasaṃgraha for the Study of Indian Philosophy
- Alberto Pelissero
- June 30, 2020
-
The Architectural Heritage as a Projection of Competition and Negotiation
Shared Muslim-Vīraśaiva Sacred Sites in Northern Karnataka. A Preliminary Approach - Sara Mondini
- June 30, 2020
-
Atypical Compound Verb Constructions in Hindi/Urdu
The Case of Transitive Polar Verbs with Intransitive Vector Verbs - Andrea Drocco, Neha Tiwari
- June 30, 2020
-
MF Husain’s Hindi Autobiography Em. Ef. Husain kī kahānī apnī zubānī
Sketches of a Performative Self, Surfing the World in Space and Time - Alessandra Consolaro
- June 30, 2020
- Sexuality as Translation. Locating the “Queer” in Vietnamese Debates on Sexuality
- Richard Quang-Anh Tran
- June 30, 2020
-
Acquisition of Double-Nominative Constructions by Italian L1 Learners of Chinese
A Cross-Sectional Corpus Study - Anna Morbiato
- June 30, 2020
-
Etymological Elaboration in Chéngyǔ 成语 Teaching
The Role of Opacity, Type of Instruction, and Competence Level - Sergio Conti
- June 30, 2020
- Wreckage, War, Woman. Fragments of a Female Self in Zhang Ailing’s Love In a Fallen City (倾城之恋)
- Alessandra Di Muzio
- June 30, 2020
-
Ah Q Travels to Europe
Christoph Hein’s Die wahre Geschichte des Ah Q (1983) and Dario Fo’s La storia di Qu (2011) - Nicoletta Pesaro
- June 30, 2020
-
Troubles on the Border
Marking Japanese Case-Particle Boundaries in Grammatical Annotation - Simone dalla Chiesa
- June 30, 2020
- Izayoi nikki. The History of a Disputed Heritage in the Kamakura Period (1185-1333)
- Carolina Negri
- June 30, 2020
- Fra Contadini di Errico Malatesta, da Firenze a Tokyo
- Filippo Dornetti
- June 30, 2020
- An Analysis of Some Illustrated Books by Katsushika Hokusai (1760-1849) in the Museum of Oriental Art in Venice
- Silvia Vesco
- June 30, 2020
Reviews
- Patrizia Spallini, Ivana Panzeca. Il calamo dell’esistenza
- Angelo Scarabel
- June 30, 2020
- Tie Xiao. Revolutionary Waves. The Crowd in Modern China
- Federico Picerni
- June 30, 2020
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_2972 |
|
dc.title |
Raccontarsi con le macerie: voce e autorialità in Fihris di Sinan Antoon |
|
dc.contributor.author |
Pozzoli Federico |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.type |
Research Article |
|
dc.language.iso |
it |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/annali-di-ca-foscari-serie-orientale/2020/56/raccontarsi-con-le-macerie-voce-e-autorialita-in-f/ |
|
dc.description.abstract |
The great expansion of post-occupation Iraqi fiction, with its overall departure from social realism and its exploration of new genres, has brought along a new conceptualization of the Author. This paper aims to study how a peculiar figure of authoriality is both invoked and projected through narrative voices in Sinan Antoon’s Fihris (2016). A complex and multi-layered text, Antoon’s novel is narrated by human and non-human voices. Yet, despite the scattered and fragmented surface of narration, a hierarchical, almost concentric organizational principle is provided by the relations between the main narrators in a context of metalepsis. The analysis will focus on the strategies of authentication employed by narrators of different diegetic levels in the novel, from the short stories embedded, to the further level of authority provided by the autobiographical elements in the narrative frame. |
|
dc.relation.ispartof |
Annali di Ca’ Foscari. Serie orientale |
|
dc.relation.ispartof |
Vol. 56 | June 2020 |
|
dc.issued |
2020-06-30 |
|
dc.dateAccepted |
2020-03-05 |
|
dc.dateSubmitted |
2020-02-05 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2385-3042 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/AnnOr/2385-3042/2020/56/004 |
|
dc.peer-review |
yes |
|
dc.subject |
Authoriality |
|
dc.subject |
Authoriality |
|
dc.subject |
Iraqi Novel |
|
dc.subject |
Iraqi Novel |
|
dc.subject |
Sinan Antoon |
|
dc.subject |
Sinan Antoon |
|
dc.subject |
Testimoniality |
|
dc.subject |
Testimoniality |
|
dc.subject |
Voice |
|
dc.subject |
Voice |
| Download data |
-
file_download 131
-
search 388
-
format_quote 0
