60 | 2024

Keywords Literary imageries • Family language policy • Millenarism • Nanyue Huisi • The Berenson Collection • Cuneiform inscriptions • Dunhuang • Ottoman material culture • Epistemology • Old Chinese • Directed motion constructions • Plurilingualism • Identity • Japanese art • Image of femininity • Phonological reconstruction • Cognition • Urartu • Karmir-blur • Philology • Yueguang Tongzi • Tadkerẹ • Persian literature • Religious experience • Japanese archaeology • Persian manuscripts • Saljuqid literature • Ottoman stations • Paekche • Hwarang • Korean • Candraprabhākumāra • Vaḥši Bāfqi • Language typology • Neo-Indo-Aryan literatures • Garden metaphors • Olfactory aesthetic • South Asia • Maitreya • Excavated texts • Silla • Indo-Persian literature • Persian poetry • Mughal Empire • Actorship • Enchi Fumiko • Tang dynasty • Bronze bowls • Close reading • Khans and routes of the Islamic world • Veridicality • Language maintenance and shift • Iranian Manichaean texts • Historical Phonology • Environmental sustainability • Sui dynasty • L2 Vietnamese • Rōjomono • Seventeenth century • Italo-Japanese cultural exchange • Realism • Daoism • Paleography • Anvari • Vegetarianism • Persian • Arabic • Minua • Buddhism • Farhād va Širin • Ethical eating • Navya-Nyāya • Chinese • Ottoman archaeology • Bamboo manuscripts • Exhibition Studies • Asia • Europe • Home language • Second language acquisition • Late Islamic Kurdistan • Aging body

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2024/01 | Published July 25, 2024 | Language en, it

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