62 | 2026
open access | peer reviewedKeywords Okinawa • Japanese cinema • Standard negation • Battle of Okinawa • Typology • Hara Hōitsuan • Semantic features • Gender perception • Odia • Ottoman music • Plural markers • Creative translation • Focus realization • Indirect translation • Memory • Object focus clefts • Bao Tianxiao • Orientalism • Mevlevi ayin • Turkish classical music • Number interpretation • Synchronic variation • Historical ethnomusicology • Mark Twain • Trauma • Corpus-based analysis • Japanese language • Contextual inference • Varieties • Documentary film • Chinese narrow-focus clefts • Bare nouns
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2026/62 | Published Forthcoming | Language it, en
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