MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Avant-garde Exhibitions • Heritage • Islamic Art • Exposition Universelle • Landscape painting • Lombardy • Adolfo Hohenstein • Costantino Gilodi • Exhibition • Murano • Imperial Fine Arts Academy • Alessandro Volta • Paris 1867 • Mosaic • Carlo Ceppi • Colonialism • Fin-de-siècle • World’s Fair • Cosmopolitanism • Expositions Universelles • World’s Columbian Exposition • Industrial arts • Photography • World Fairs • Khedive Ismail • Eclecticism • Como • American Art • Decorative arts • Art nouveau • Vienna • Divisionismo • Ottoman Empire • Weltausstellung • Liberty • Russian painters in America • Art Exhibition • Display • Eugenio Linati • Antonio Salviati • American Artists • Giacomo Salvadori • Simbolism • Emilio Longoni • Ottoman Turkey • Paris • Persia • Egypt • Russian fine art • Commission of monuments • Zaragoza • Surrealism • Peredvizhniki • Glasswork

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

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