MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Exposition Universelle • Heritage • Art Exhibition • Avant-garde Exhibitions • Antonio Salviati • American Artists • Egypt • Russian painters in America • Ottoman Turkey • Exhibition • Landscape painting • Industrial arts • Liberty • Glasswork • Persia • Eclecticism • Commission of monuments • Emilio Longoni • Expositions Universelles • Colonialism • Zaragoza • Peredvizhniki • Eugenio Linati • Imperial Fine Arts Academy • American Art • World Fairs • Costantino Gilodi • Mosaic • Art nouveau • Murano • Lombardy • Carlo Ceppi • Ottoman Empire • Como • Islamic Art • Cosmopolitanism • Simbolism • Weltausstellung • World’s Columbian Exposition • Adolfo Hohenstein • World’s Fair • Paris 1867 • Alessandro Volta • Decorative arts • Russian fine art • Paris • Display • Giacomo Salvadori • Photography • Surrealism • Divisionismo • Khedive Ismail • Vienna • Fin-de-siècle

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

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