MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Carlo Ceppi • Murano • American Art • Peredvizhniki • Islamic Art • Eclecticism • Egypt • Adolfo Hohenstein • Mosaic • Paris • Khedive Ismail • Surrealism • Heritage • Russian painters in America • World’s Columbian Exposition • Eugenio Linati • World’s Fair • Russian fine art • Imperial Fine Arts Academy • Commission of monuments • Ottoman Turkey • Alessandro Volta • World Fairs • Costantino Gilodi • Simbolism • Exhibition • Cosmopolitanism • Lombardy • Antonio Salviati • Vienna • Persia • Photography • Weltausstellung • Expositions Universelles • Giacomo Salvadori • American Artists • Fin-de-siècle • Art nouveau • Glasswork • Como • Paris 1867 • Landscape painting • Colonialism • Ottoman Empire • Art Exhibition • Avant-garde Exhibitions • Emilio Longoni • Industrial arts • Divisionismo • Decorative arts • Exposition Universelle • Display • Zaragoza • Liberty

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language it, en

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