MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Imperial Fine Arts Academy • Display • Liberty • Divisionismo • Murano • Paris • Simbolism • Commission of monuments • Heritage • Fin-de-siècle • Khedive Ismail • Ottoman Empire • Weltausstellung • Glasswork • Exposition Universelle • Adolfo Hohenstein • American Art • Exhibition • Carlo Ceppi • Peredvizhniki • Lombardy • Russian painters in America • Decorative arts • Cosmopolitanism • Persia • Paris 1867 • Costantino Gilodi • Russian fine art • Surrealism • Industrial arts • Art nouveau • Avant-garde Exhibitions • Landscape painting • Photography • Art Exhibition • Antonio Salviati • Emilio Longoni • Como • Eclecticism • Expositions Universelles • Colonialism • World Fairs • Alessandro Volta • World’s Fair • Zaragoza • Vienna • Islamic Art • American Artists • Mosaic • Giacomo Salvadori • Eugenio Linati • Egypt • Ottoman Turkey • World’s Columbian Exposition

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

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