7 | 2018

Keywords Impressionism • Cernusco sul Naviglio • Mural painting • Ambrogio Uboldo • Cultural exchanges • Degas • Getty Research Institute • 19th Century Italian paintings • Matteo Casella • Abbozzo • Giuseppe De Nittis • Argentinian art • James Malton • L’Art Moderne • Art collections • Joseph Michael Gandy • Paul Delaroche • L • Francesco Hayez • N • Market • Mussini • Rome • Charles Heathcote Tatham • Arcadian Iconography • George Augustus Wallis • Raffaele Vincenzo Barone • Veit • Andrea Mantegna • Papal states • Cottages • Academy of Arcadia • Høyen • La Jeune Belgique • Stanze a boschereccia • Milan • Belgium • Experimental series • Ingres • 19th Century French paintings • Delacroix • Giuseppe Sogni • Picturesque • Connoisseurship • Valenti Gonzaga • Pattern book • Koch • Titian • Brera • Theatre decoration • Claude Monet • Vittorio Pica • Grand Tour • Etchings • Salon • Applied arts • Dante’s mask

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language it, es

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