7 | 2018

Keywords Theatre decoration • Stanze a boschereccia • Art collections • 19th Century French paintings • Francesco Hayez • Impressionism • Dante’s mask • Etchings • Experimental series • Koch • L • Brera • Mussini • Raffaele Vincenzo Barone • Papal states • Veit • Salon • Andrea Mantegna • Giuseppe Sogni • Ingres • Cottages • L’Art Moderne • Milan • Belgium • Cultural exchanges • Abbozzo • Connoisseurship • Høyen • Ambrogio Uboldo • Vittorio Pica • Joseph Michael Gandy • Picturesque • N • Applied arts • James Malton • Giuseppe De Nittis • Getty Research Institute • Pattern book • Claude Monet • Arcadian Iconography • Paul Delaroche • George Augustus Wallis • Mural painting • Cernusco sul Naviglio • 19th Century Italian paintings • Argentinian art • Charles Heathcote Tatham • Market • Grand Tour • Academy of Arcadia • Degas • Titian • Rome • Valenti Gonzaga • Delacroix • Matteo Casella • La Jeune Belgique

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language it, es

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