7 | 2018

Keywords Høyen • Valenti Gonzaga • Veit • Dante’s mask • Applied arts • Argentinian art • Art collections • Cottages • L’Art Moderne • Stanze a boschereccia • 19th Century Italian paintings • Impressionism • N • Belgium • Matteo Casella • Theatre decoration • Rome • Papal states • Pattern book • Academy of Arcadia • Delacroix • Titian • Abbozzo • Arcadian Iconography • Ambrogio Uboldo • James Malton • Mussini • L • Raffaele Vincenzo Barone • Cultural exchanges • Connoisseurship • Koch • Grand Tour • Picturesque • Degas • Getty Research Institute • Brera • Market • Experimental series • Milan • Andrea Mantegna • Giuseppe De Nittis • Ingres • Paul Delaroche • Cernusco sul Naviglio • Etchings • Giuseppe Sogni • Mural painting • La Jeune Belgique • 19th Century French paintings • Charles Heathcote Tatham • Vittorio Pica • Francesco Hayez • Salon • George Augustus Wallis • Joseph Michael Gandy • Claude Monet

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language es, it

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