Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Adolfo Venturi • History Painting • Cesare dell’Acqua • Giovanni Morelli • Stefano Bardini • Historical Painting • Genre painting • Markets • Projects • Connoisseurship • Antiquarian history • Corrado Ricci • Art market • Iconography • Musée d’art industriel • Giovanni Gherardo De Rossi • Photography • Academy of Fine Arts • Antiquities market • Société d’encouragement des arts • Dmitry Grigorovitch • Merchants • Art industriel • Milano • Alexandre de Sousa Holstein • Arts décoratifs • Royal Gallery of Turin • Andalusia (Spain) • History of architecture • Dutch Golden Age • Pompeo Pozzi • Natalis Rondot • Carlo Amoretti • Antonio Canova • Wilhelm Bendz • Ceramics • Collecting • Parisian Salons • Genio dell’Indipendenza Nazionale • Frederik Christian Sibbern • Lombard primitives • Stefano Borgia • Romanticism • Conventionalism • Italian Risorgimento • 19th century Milan • Raphael • Art publishing • Revival • South Kensington Museum • Architects • Florence • Renaissance • Musée d’échantillons • Travel diaries • Danish Golden Age • Civil function of the museum • Historical Romanticism • Fortuna • Galleria De Cristoforis • Giorgione • Training of artists • Portugal • Pedro de Sousa Holstein • Erudition • Greek vases • Seroux d’Agincourt • Editors • Luigi Valeriano Pozzi • Provenances • Marco Minghetti • Engraving • Art photography • Musée d’art et d’industrie • Ditlev Blunck • École Stroganov • Henrik Hertz • Albert Küchler
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language fr, en, es, it, pt
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