Rinascita/Revival | Rebirth/Revival II

Keywords Frederik Christian Sibbern • Civil function of the museum • Pompeo Pozzi • Greek vases • Training of artists • 19th century Milan • Revival • Adolfo Venturi • Albert Küchler • Royal Gallery of Turin • Provenances • Giovanni Morelli • Romanticism • Art industriel • Dmitry Grigorovitch • Antiquities market • History Painting • Architects • Renaissance • Connoisseurship • Editors • Art photography • École Stroganov • Cesare dell’Acqua • Ceramics • Florence • Art market • Corrado Ricci • Musée d’échantillons • Alexandre de Sousa Holstein • Seroux d’Agincourt • Merchants • Antonio Canova • Arts décoratifs • History of architecture • South Kensington Museum • Italian Risorgimento • Portugal • Galleria De Cristoforis • Stefano Borgia • Historical Romanticism • Erudition • Engraving • Dutch Golden Age • Parisian Salons • Photography • Andalusia (Spain) • Collecting • Stefano Bardini • Travel diaries • Antiquarian history • Musée d’art industriel • Giorgione • Raphael • Milano • Conventionalism • Wilhelm Bendz • Art publishing • Fortuna • Société d’encouragement des arts • Danish Golden Age • Genre painting • Musée d’art et d’industrie • Henrik Hertz • Historical Painting • Projects • Academy of Fine Arts • Luigi Valeriano Pozzi • Giovanni Gherardo De Rossi • Natalis Rondot • Ditlev Blunck • Pedro de Sousa Holstein • Iconography • Carlo Amoretti • Genio dell’Indipendenza Nazionale • Lombard primitives • Marco Minghetti • Markets

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language fr, pt, en, it, es

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