MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Feasts • Giuseppe Bossi • Portrait • Australia • Napoleon • Restoration • Rome • Opera • Pictorial decoration • Communication bridge • Living Paintings • Sculpture • Ravenna • Romanticism • Historicism • Iconography • Project • Scenography • Landscape • Archaeology • Set design • Drawing • Revolutions • Catania • Milan • Giovan Battista Bassi • Massa Lombarda • Stefano Della Bella • Genoa • William Wardell • Jacques-Louis David • Photography • Museum in Corbetta • Brera • Giacomo Boni • Railway station • James Goold • Art Criticism • Vincenzo Martinelli • Accademia Clementina • Bologna • Catholic Church architecture • Nineteenth-century Barcelona • Antiquarium Forense • Museology • Masters • Pope Benedict XIV • Museum Catalogues • Adolfo Venturi • Alfonso Rubbiani • Giovan Battista Piranesi • Giuseppe Bacchelli • Pinacoteca di Brera • King Charles IV in Barcelona • Pupils • Francesco Gandolfi • Antoine-Jean Gros • Angelo Venturoli • Nineteenth-century colonial architecture • Ephemeral buildings • Pompeo Marchesi • Melbourne • San Michele in Bosco • Cesare Beccaria • Empire • Harding • Architecture • Corrado Ricci • Royal palace • Carlo Dossi • Masquerades • Ruskin • Note azzurre • Neoclassicism • Aphorisms on Drawing • Gothic Revival style • Solomon Caesar Malan • Giorgio Vasari • Andrea Appiani • Tableaux vivants • Galleria Nazionale di Parma • Piazza San Giovanni • Neoclassicism in Catalonia • Urban planning • Valadier

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language es, it, en

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