MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords San Michele in Bosco • Museology • Nineteenth-century Barcelona • Scenography • Giuseppe Bossi • Solomon Caesar Malan • Rome • Melbourne • James Goold • Jacques-Louis David • Massa Lombarda • Neoclassicism in Catalonia • Opera • Francesco Gandolfi • Pope Benedict XIV • Australia • Genoa • Note azzurre • Iconography • Portrait • Living Paintings • Pupils • Masters • Antiquarium Forense • Andrea Appiani • Communication bridge • Historicism • Sculpture • Valadier • Set design • Bologna • Adolfo Venturi • Aphorisms on Drawing • Harding • Vincenzo Martinelli • Romanticism • Urban planning • Feasts • Giovan Battista Piranesi • Revolutions • Giorgio Vasari • Masquerades • Giovan Battista Bassi • Antoine-Jean Gros • Stefano Della Bella • Railway station • Project • Corrado Ricci • Neoclassicism • Ruskin • Architecture • Restoration • Empire • Photography • Tableaux vivants • Ravenna • Nineteenth-century colonial architecture • Catholic Church architecture • Archaeology • Napoleon • Carlo Dossi • Pictorial decoration • Pinacoteca di Brera • Giuseppe Bacchelli • Piazza San Giovanni • King Charles IV in Barcelona • Giacomo Boni • Landscape • Cesare Beccaria • Royal palace • Museum Catalogues • Museum in Corbetta • Alfonso Rubbiani • William Wardell • Angelo Venturoli • Milan • Gothic Revival style • Art Criticism • Catania • Accademia Clementina • Drawing • Ephemeral buildings • Brera • Pompeo Marchesi • Galleria Nazionale di Parma

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language en, it, es

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