MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Drawing • Adolfo Venturi • Catania • Living Paintings • Masters • Accademia Clementina • Neoclassicism • Set design • Restoration • Feasts • Giacomo Boni • Giorgio Vasari • Museum in Corbetta • Corrado Ricci • Tableaux vivants • Iconography • Gothic Revival style • King Charles IV in Barcelona • Nineteenth-century Barcelona • Antiquarium Forense • Photography • Antoine-Jean Gros • Australia • Pictorial decoration • Genoa • Rome • Art Criticism • Cesare Beccaria • Alfonso Rubbiani • Scenography • Archaeology • Harding • Carlo Dossi • Pinacoteca di Brera • Andrea Appiani • Empire • Historicism • Masquerades • Museum Catalogues • Valadier • Massa Lombarda • Pompeo Marchesi • Francesco Gandolfi • Giuseppe Bacchelli • Urban planning • Portrait • Solomon Caesar Malan • William Wardell • Communication bridge • Opera • Sculpture • Ravenna • Project • Vincenzo Martinelli • Ruskin • San Michele in Bosco • Romanticism • Railway station • Giovan Battista Piranesi • Museology • Piazza San Giovanni • James Goold • Stefano Della Bella • Nineteenth-century colonial architecture • Napoleon • Angelo Venturoli • Galleria Nazionale di Parma • Jacques-Louis David • Pupils • Brera • Pope Benedict XIV • Ephemeral buildings • Note azzurre • Milan • Royal palace • Neoclassicism in Catalonia • Landscape • Catholic Church architecture • Melbourne • Giuseppe Bossi • Bologna • Revolutions • Architecture • Aphorisms on Drawing • Giovan Battista Bassi

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language en, it, es

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