MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Pompeo Marchesi • Harding • Cesare Beccaria • Carlo Dossi • Pinacoteca di Brera • Romanticism • Art Criticism • Andrea Appiani • Antoine-Jean Gros • Melbourne • Piazza San Giovanni • San Michele in Bosco • Empire • Neoclassicism in Catalonia • Set design • Vincenzo Martinelli • Australia • Galleria Nazionale di Parma • Brera • Drawing • Royal palace • Adolfo Venturi • Ruskin • Gothic Revival style • Urban planning • Nineteenth-century colonial architecture • Catania • Restoration • Rome • Photography • Revolutions • Napoleon • Iconography • Ephemeral buildings • Valadier • Angelo Venturoli • James Goold • Architecture • Stefano Della Bella • Corrado Ricci • Pictorial decoration • Nineteenth-century Barcelona • Project • Massa Lombarda • Scenography • Giacomo Boni • Giuseppe Bossi • Accademia Clementina • Giovan Battista Piranesi • Railway station • Sculpture • Historicism • Tableaux vivants • Museum in Corbetta • William Wardell • Solomon Caesar Malan • Giovan Battista Bassi • Living Paintings • King Charles IV in Barcelona • Archaeology • Milan • Genoa • Catholic Church architecture • Museum Catalogues • Alfonso Rubbiani • Note azzurre • Giuseppe Bacchelli • Masquerades • Pupils • Communication bridge • Museology • Portrait • Neoclassicism • Antiquarium Forense • Opera • Masters • Bologna • Giorgio Vasari • Feasts • Ravenna • Aphorisms on Drawing • Landscape • Pope Benedict XIV • Jacques-Louis David • Francesco Gandolfi

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language en, es, it

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