48 | 124 | 2025
open access | peer reviewedKeywords Libros de caballerías • Argentine • Canzone d’autore • Avant-garde • Teatro galdosiano • Argentina • Portuguese Revolution • Teatro del siglo XVII • Theater • Political discourse • Divulgazione musicale • Photograph • Allegory • Desaparecidos • Rest • Alegoría • Teatro • Campo cultural • Twenty-first century • Canzone d'autore • Comedia en colaboración • Resto • Civil-military dictatorship • Rivoluzione portoghese • Dictadura cívico-militar • José Afonso • Literatura finisecular • Notes • Musical dissemination • Literary publishing • Fotografía • Edición literaria • Song’s translation • Vanguardia • Discurso político • Dramatic poetry • Pere Gimferrer • Novels of chivalry • Poetry • Transición democrática • Plays in collaboration • Pérez Galdós • Democratic transition • Poesía • Traduzione della canzone • Catastrophe • Luis Vélez de Guevara • Cultural field • Notas • Review • Spanish theatre of the seventeenth century • Modernismo • Seix Barral • Siglo XXI • Golden Age • Alma y vida • Catástrofe • Siglo de Oro • Modernism • Latin American writers • El príncipe de la estrella y castillo de la vida • Poesía dramática • Galdosian theatre • Escritoras latinoamericanas
Permalink http://doi.org/10.30687/Ri/2037-6588/2025/25 | Published Dec. 12, 2025 | Language it, es
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.