48 | 124 | 2025
open access | peer reviewedKeywords José Afonso • Twenty-first century • Canzone d'autore • Civil-military dictatorship • Political discourse • Edición literaria • Campo cultural • Song’s translation • Resto • Luis Vélez de Guevara • Plays in collaboration • Desaparecidos • Notes • Dramatic poetry • Vanguardia • Divulgazione musicale • Alma y vida • Teatro del siglo XVII • Latin American writers • Canzone d’autore • Fotografía • Comedia en colaboración • Poetry • Poesía dramática • Novels of chivalry • Theater • Traduzione della canzone • Pérez Galdós • Modernism • Modernismo • Allegory • Democratic transition • Catastrophe • Musical dissemination • Review • Literatura finisecular • Argentine • Literary publishing • Galdosian theatre • Poesía • Transición democrática • Teatro • Spanish theatre of the seventeenth century • Siglo XXI • Catástrofe • Alegoría • Golden Age • Avant-garde • Discurso político • Photograph • Libros de caballerías • Portuguese Revolution • Rivoluzione portoghese • Dictadura cívico-militar • Pere Gimferrer • Rest • Siglo de Oro • Escritoras latinoamericanas • Teatro galdosiano • Cultural field • Argentina • El príncipe de la estrella y castillo de la vida • Seix Barral • Notas
Permalink http://doi.org/10.30687/Ri/2037-6588/2025/25 | Published Dec. 12, 2025 | Language es, it
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