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open access | peer reviewedKeywords Teatro • Modernismo • Political discourse • Poesía dramática • Pere Gimferrer • Edición literaria • Novels of chivalry • Canzone d'autore • Galdosian theatre • Portuguese Revolution • Dramatic poetry • Resto • Siglo de Oro • Vanguardia • Libros de caballerías • Notas • Transición democrática • Luis Vélez de Guevara • Canzone d’autore • Democratic transition • Seix Barral • Theater • Golden Age • Traduzione della canzone • Campo cultural • Desaparecidos • Pérez Galdós • Dictadura cívico-militar • Teatro del siglo XVII • Avant-garde • Review • Allegory • Siglo XXI • Latin American writers • Divulgazione musicale • Civil-military dictatorship • Modernism • Catastrophe • El príncipe de la estrella y castillo de la vida • Notes • Plays in collaboration • Twenty-first century • Comedia en colaboración • Literary publishing • Poetry • Literatura finisecular • Alma y vida • Musical dissemination • Cultural field • Argentine • José Afonso • Escritoras latinoamericanas • Alegoría • Discurso político • Catástrofe • Argentina • Poesía • Rest • Photograph • Fotografía • Rivoluzione portoghese • Song’s translation • Spanish theatre of the seventeenth century • Teatro galdosiano
Permalink http://doi.org/10.30687/Ri/2037-6588/2025/25 | Published Dec. 12, 2025 | Language es, it
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