48 | 124 | 2025
open access | peer reviewedKeywords Catastrophe • Dramatic poetry • Catástrofe • Fotografía • Portuguese Revolution • Civil-military dictatorship • Political discourse • Comedia en colaboración • Teatro galdosiano • Twenty-first century • Modernismo • Libros de caballerías • Argentina • Latin American writers • Seix Barral • Rest • Theater • Escritoras latinoamericanas • Teatro del siglo XVII • Desaparecidos • Galdosian theatre • Traduzione della canzone • Transición democrática • Alma y vida • Cultural field • Song’s translation • Edición literaria • Plays in collaboration • Vanguardia • Modernism • Musical dissemination • José Afonso • Pere Gimferrer • Pérez Galdós • Siglo XXI • Spanish theatre of the seventeenth century • Canzone d’autore • Poesía dramática • Resto • Discurso político • Avant-garde • Novels of chivalry • Photograph • Siglo de Oro • Notes • Poetry • Review • Canzone d'autore • Notas • Dictadura cívico-militar • Allegory • Luis Vélez de Guevara • Teatro • Democratic transition • Golden Age • Literary publishing • Argentine • Literatura finisecular • Poesía • Campo cultural • Alegoría • Divulgazione musicale • Rivoluzione portoghese • El príncipe de la estrella y castillo de la vida
Permalink http://doi.org/10.30687/Ri/2037-6588/2025/25 | Published Dec. 12, 2025 | Language es, it
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