Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Art market • Pirro Ligorio • History • Gabriele Paleotti • Pragmatism • Archival photographs • Cultural policy • Claes Oldenburg • Howard Becker • Venetian Veduta • Michelangelo Muraro • Academy • Individual • Osthoff • Philosophical disenfranchisement • Intermediaries • Gatekeepers • Exhibition • Contemporary art • Art • Sociology • Ouverture • Caucasus • Keeper • Visual arts • Federico Pendasio • Gesture • Arthur Danto • ‘The Store’ • Fashion studies • Nature • Realm of art • Restoration • Ulisse Aldrovandi • Curator • Photography • Antiquarians • Arsenale • Damien Hirst • Forgers • Production • Armstrong and Mitchell Cran • Antonio Morassi • History of dress • Museum • Douglas Gordon • Early photography • Material culture • Art field • Gatekeeper • Mediations • Grotesque • Philosophy of art • Jewish cemetery • Objects • Opera • Steve McQueen • Venetian villas • Venice • Guardi • Pierre Bourdieu • Consumer culture • Entrepreneur • Art worlds • Fashion • Industrial heritage • Cultural heritage of Venezia Giulia and Istria • Venice’s Lido • Border crossing • Identity formation • Giuseppe Mazzotti

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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