Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Claes Oldenburg • ‘The Store’ • Realm of art • Philosophical disenfranchisement • Venetian villas • Fashion • Gabriele Paleotti • History of dress • Gatekeeper • Pragmatism • Identity formation • Jewish cemetery • Ouverture • Cultural policy • Entrepreneur • Pirro Ligorio • Exhibition • Mediations • Production • Sociology • Fashion studies • Steve McQueen • Opera • Curator • Restoration • Arthur Danto • Objects • Gatekeepers • Venetian Veduta • Intermediaries • Giuseppe Mazzotti • Forgers • Consumer culture • Art market • Armstrong and Mitchell Cran • Archival photographs • Cultural heritage of Venezia Giulia and Istria • Border crossing • Grotesque • Ulisse Aldrovandi • Art field • Industrial heritage • Venice • Venice’s Lido • Contemporary art • Osthoff • History • Material culture • Damien Hirst • Academy • Howard Becker • Early photography • Individual • Art worlds • Antiquarians • Caucasus • Gesture • Keeper • Pierre Bourdieu • Museum • Guardi • Philosophy of art • Photography • Michelangelo Muraro • Art • Federico Pendasio • Nature • Visual arts • Antonio Morassi • Arsenale • Douglas Gordon

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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