Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Arsenale • Contemporary art • Material culture • Michelangelo Muraro • ‘The Store’ • History • Grotesque • Mediations • Academy • Ulisse Aldrovandi • Gatekeeper • Visual arts • Early photography • Cultural heritage of Venezia Giulia and Istria • History of dress • Claes Oldenburg • Philosophy of art • Realm of art • Opera • Art field • Art • Museum • Intermediaries • Photography • Gatekeepers • Giuseppe Mazzotti • Pragmatism • Federico Pendasio • Fashion • Gabriele Paleotti • Venetian Veduta • Arthur Danto • Gesture • Sociology • Ouverture • Fashion studies • Individual • Entrepreneur • Border crossing • Industrial heritage • Armstrong and Mitchell Cran • Objects • Guardi • Restoration • Venice • Venice’s Lido • Consumer culture • Production • Cultural policy • Damien Hirst • Nature • Howard Becker • Antiquarians • Douglas Gordon • Steve McQueen • Art market • Osthoff • Venetian villas • Art worlds • Antonio Morassi • Archival photographs • Identity formation • Curator • Exhibition • Jewish cemetery • Philosophical disenfranchisement • Pierre Bourdieu • Caucasus • Keeper • Pirro Ligorio • Forgers

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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