Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Grotesque • Venetian villas • Entrepreneur • Ouverture • Exhibition • Keeper • Industrial heritage • Sociology • Philosophical disenfranchisement • Arsenale • ‘The Store’ • History of dress • Gatekeepers • Restoration • Venice • Art field • Antonio Morassi • Mediations • Venetian Veduta • Museum • Art worlds • Forgers • Antiquarians • Art • Art market • Claes Oldenburg • Opera • Pragmatism • Photography • Venice’s Lido • Consumer culture • Guardi • Pierre Bourdieu • Federico Pendasio • Howard Becker • Michelangelo Muraro • Osthoff • Pirro Ligorio • Arthur Danto • Steve McQueen • Caucasus • Early photography • Philosophy of art • Material culture • Academy • Fashion • History • Nature • Objects • Cultural policy • Gabriele Paleotti • Realm of art • Armstrong and Mitchell Cran • Gesture • Ulisse Aldrovandi • Identity formation • Intermediaries • Douglas Gordon • Production • Jewish cemetery • Damien Hirst • Archival photographs • Border crossing • Contemporary art • Cultural heritage of Venezia Giulia and Istria • Gatekeeper • Giuseppe Mazzotti • Individual • Curator • Visual arts • Fashion studies

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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