Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Museum • Gatekeeper • Production • Material culture • Opera • Nature • Gesture • Consumer culture • Philosophical disenfranchisement • Caucasus • Cultural policy • Giuseppe Mazzotti • Arsenale • Antonio Morassi • Entrepreneur • History of dress • Grotesque • Mediations • Venice • Jewish cemetery • Art field • Keeper • Damien Hirst • Venetian villas • Individual • Realm of art • Osthoff • Pirro Ligorio • Pierre Bourdieu • Restoration • Industrial heritage • Curator • History • Sociology • Exhibition • Art market • Philosophy of art • Michelangelo Muraro • Identity formation • Armstrong and Mitchell Cran • Antiquarians • Cultural heritage of Venezia Giulia and Istria • Objects • Photography • Steve McQueen • Venice’s Lido • Venetian Veduta • Archival photographs • Border crossing • Academy • Art • Gabriele Paleotti • Contemporary art • Ouverture • Pragmatism • Douglas Gordon • Federico Pendasio • Guardi • Intermediaries • Visual arts • Arthur Danto • Early photography • ‘The Store’ • Fashion • Gatekeepers • Fashion studies • Forgers • Howard Becker • Art worlds • Ulisse Aldrovandi • Claes Oldenburg

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

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