Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Intellectual • Duplication • Toponym • Volvinus • Angilbertus • Inscription • Medieval Apulia • Romanesque (France) • Soliani • Stories of Theodelinda • Pino Pascali • Cathedral at Monza • 1968 • Medieval Epigraphy • Memorial • Iconology • Sanatorium • Medieval Artist • Permanence • Faciebat • Byzantine epigraphy • Jan van Eyck • Authorship • Parapet • Anonymity • Contemporary Art • Genoa • Happening • Andri • Museo Storico Navale • Parma • Archive Footage • Modern painting • Imperfect • 1972 • Alighiero Boetti • Arnolfini • Artists’ names • Literacy • Invention of the Artist • Bacchanal • Photography • Morganatic Marriage • Samuel Beckett's Film • Essay Film • Rebus • Byzantine artist • Clinic • Written culture • Art history • Paggi • Woodblocks • Zavattari • Torre Astura • Epigraphy • Woodcut • Self-staging • Art workshops • Edvard Munch • Annunciation • Found Footage • Illusion • Museum display • Requiescat in Pace Corradinus • Signature • Devotion • Gothic Venetian Painting • Lorenzo Veneziano • Golden Altar • Galleria La Salita • Tiziano

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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