Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Monographic journal issue | 26 | 2017

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Galleria La Salita • Alighiero Boetti • Golden Altar • Literacy • Toponym • Written culture • Medieval Apulia • Woodcut • Pino Pascali • Romanesque (France) • Museum display • Requiescat in Pace Corradinus • Stories of Theodelinda • Faciebat • Art history • 1972 • Jan van Eyck • Rebus • Edvard Munch • Sanatorium • Byzantine epigraphy • Duplication • Clinic • Lorenzo Veneziano • Epigraphy • Byzantine artist • Invention of the Artist • Signature • Volvinus • Morganatic Marriage • Tiziano • Authorship • Permanence • Annunciation • Zavattari • Inscription • Paggi • Angilbertus • Gothic Venetian Painting • Arnolfini • Iconology • Photography • Soliani • Self-staging • Woodblocks • Modern painting • Samuel Beckett's Film • 1968 • Contemporary Art • Intellectual • Andri • Anonymity • Happening • Genoa • Artists’ names • Parma • Art workshops • Found Footage • Medieval Artist • Memorial • Museo Storico Navale • Cathedral at Monza • Bacchanal • Archive Footage • Essay Film • Torre Astura • Illusion • Imperfect • Devotion • Parapet • Medieval Epigraphy

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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