Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Iconology • Literacy • Bacchanal • Museum display • Photography • Edvard Munch • Golden Altar • Galleria La Salita • Illusion • Volvinus • Faciebat • Tiziano • 1968 • Permanence • Happening • Requiescat in Pace Corradinus • Archive Footage • Lorenzo Veneziano • Artists’ names • Contemporary Art • Morganatic Marriage • Invention of the Artist • Romanesque (France) • Angilbertus • Art workshops • Medieval Apulia • Devotion • Paggi • Samuel Beckett's Film • Written culture • Anonymity • Epigraphy • Duplication • Found Footage • Intellectual • Memorial • Alighiero Boetti • Cathedral at Monza • Medieval Artist • Modern painting • Museo Storico Navale • Genoa • Self-staging • Toponym • Parma • Stories of Theodelinda • Parapet • Torre Astura • Medieval Epigraphy • Soliani • Jan van Eyck • Byzantine artist • Sanatorium • Clinic • Signature • Inscription • Arnolfini • Woodblocks • 1972 • Byzantine epigraphy • Woodcut • Andri • Zavattari • Annunciation • Imperfect • Authorship • Pino Pascali • Rebus • Essay Film • Art history • Gothic Venetian Painting

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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