Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Woodblocks • Gothic Venetian Painting • Clinic • Medieval Epigraphy • 1972 • Modern painting • Edvard Munch • Art workshops • Imperfect • Zavattari • Anonymity • Rebus • Museum display • Authorship • Invention of the Artist • Sanatorium • Byzantine artist • Faciebat • Morganatic Marriage • Bacchanal • Stories of Theodelinda • Alighiero Boetti • Essay Film • Tiziano • Genoa • Devotion • Illusion • Medieval Apulia • Parapet • Lorenzo Veneziano • Epigraphy • Jan van Eyck • Memorial • Galleria La Salita • Volvinus • Inscription • 1968 • Found Footage • Intellectual • Andri • Golden Altar • Written culture • Byzantine epigraphy • Medieval Artist • Romanesque (France) • Archive Footage • Torre Astura • Pino Pascali • Photography • Artists’ names • Paggi • Art history • Samuel Beckett's Film • Toponym • Iconology • Signature • Literacy • Museo Storico Navale • Contemporary Art • Angilbertus • Duplication • Parma • Annunciation • Requiescat in Pace Corradinus • Cathedral at Monza • Soliani • Woodcut • Arnolfini • Self-staging • Permanence • Happening

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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