Edizioni Ca' Foscari

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Monographic journal issue
open access peer reviewed

The Body of Art

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Language: it, en

Published: Dec. 11, 2019

Keywords

Performer • Puer mingens • Gothic • Skin • La Salpêtrière • Emilia, Veneto • Russian ballet • Symbolism • Marcantonio Magno • Nijinsky • Device • Ornamentation • Galindo • 1960s radicalism • Abramović • Body • Iconology • Soprano • Models • Devotion • Pordenone • Theatre and performance • Vanessa Beecroft • Avant-garde • Biopolitic • Body movements • Fruition • Louvre • Saint Sebastian • Drawing • Stage • Performance Art • Dance • Film • Nicoletto da Modena • Plague • Iconography • Agamben • Illusion • Theatre • Female • Opera • Printmaking • Aesthetics and politics • Prospero Clemente • Andrea Mantegna • Cult • Performance • Dance notations • Revolutionary avant-garde • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Franciscan saints • Television • Anna Moffo • Casts • Costume • Neo-avant-garde • Padua

permalink http://doi.org/10.30687/VA/2385-2720/2019/05

Copyright: © 2019 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.