Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Cult • Costume • Printmaking • Models • Body • Anna Moffo • Saint Sebastian • Devotion • Symbolism • Device • Dance notations • Performer • Soprano • Neo-avant-garde • Illusion • Plague • Prospero Clemente • Agamben • Louvre • Casts • Ornamentation • Pordenone • Emilia, Veneto • Nijinsky • Female • Body movements • Galindo • Fruition • Revolutionary avant-garde • Vanessa Beecroft • Avant-garde, Mask, Hybrid Identity, Abjection Embo • La Salpêtrière • Aesthetics and politics • Performance Art • Dance • Theatre and performance • Avant-garde • Theatre • Andrea Mantegna • Iconology • Marcantonio Magno • 1960s radicalism • Biopolitic • Gothic • Television • Nicoletto da Modena • Abramović • Russian ballet • Performance • Opera • Franciscan saints • Padua • Drawing • Stage • Skin • Film • Iconography • Puer mingens

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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