Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Louvre • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Female • 1960s radicalism • Theatre and performance • Neo-avant-garde • Drawing • Soprano • Galindo • Fruition • Costume • Dance notations • Performance Art • Vanessa Beecroft • Aesthetics and politics • Nijinsky • Performer • Printmaking • Opera • Padua • Iconology • Theatre • Abramović • Stage • Plague • Illusion • Models • Marcantonio Magno • Nicoletto da Modena • Puer mingens • Avant-garde • Symbolism • Russian ballet • Biopolitic • Gothic • Dance • Television • Emilia, Veneto • Skin • Body • Andrea Mantegna • Anna Moffo • Pordenone • Performance • Saint Sebastian • Ornamentation • Device • Iconography • Cult • Devotion • Casts • Prospero Clemente • La Salpêtrière • Film • Agamben • Revolutionary avant-garde • Franciscan saints • Body movements

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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