Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Monographic journal issue | 28 | 2019

The Body of Art

open access | peer reviewed

Keywords Abramović • Cult • Costume • Device • Body movements • Revolutionary avant-garde • Theatre • Puer mingens • Dance notations • Television • Performance Art • Theatre and performance • Galindo • Pordenone • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Stage • Dance • Fruition • Gothic • Nijinsky • Agamben • Saint Sebastian • La Salpêtrière • Padua • Aesthetics and politics • Ornamentation • Vanessa Beecroft • Andrea Mantegna • Performer • Iconology • Drawing • 1960s radicalism • Models • Casts • Film • Anna Moffo • Franciscan saints • Opera • Louvre • Plague • Skin • Iconography • Performance • Nicoletto da Modena • Biopolitic • Symbolism • Neo-avant-garde • Female • Prospero Clemente • Emilia, Veneto • Soprano • Avant-garde • Illusion • Russian ballet • Marcantonio Magno • Printmaking • Devotion • Body

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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