Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Printmaking • Stage • Neo-avant-garde • Cult • Opera • Padua • Film • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Dance notations • Gothic • 1960s radicalism • Anna Moffo • Aesthetics and politics • Symbolism • Abramović • Avant-garde • Andrea Mantegna • Illusion • Devotion • Performer • Theatre and performance • Agamben • Costume • Louvre • Plague • Marcantonio Magno • Fruition • Ornamentation • Saint Sebastian • Iconography • Nicoletto da Modena • Drawing • Performance • Device • Galindo • Performance Art • Prospero Clemente • Franciscan saints • Female • Revolutionary avant-garde • Russian ballet • Vanessa Beecroft • Iconology • Television • Skin • Dance • Puer mingens • Models • Soprano • Casts • La Salpêtrière • Nijinsky • Body movements • Theatre • Pordenone • Emilia, Veneto • Body • Biopolitic

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language it, en

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