Soglia | Threshold
open access | peer reviewedKeywords Marin Sanudo • William Henry Fox Talbot • Visual identity • Christological narrative • Vierge ouvrante • Immagini sacre • Chinese collections • Religious alterity • Annunciation • Choir stalls • An-icon • Portali • Triumphal arch • Renaissance perspective • hortus conclusus • Threshold • Reenactment • Porta clausa • Bastiani, Monopoli, Puglia • Immersive art • Moving-image • Chiese veneziane • Urban views • Cain and Abel’s offering • Disobedience Archive • Emilia-Romagna • Magiciens de la terre, Global Art, Global Art Hist • Frescoes • Iconography • Medieval Dalmatia • Opening Madonna • Missionary Collecting • Missionary exhibitions • Museums • Threshold symbolism • Genealogy • Split Cathedral • Temporality • Iscrizioni • Image-making • Intarsia • Late medieval art
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language fr, it, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.