Soglia | Threshold
open access | peer reviewedKeywords Choir stalls • Christological narrative • Porta clausa • Chiese veneziane • hortus conclusus • Intarsia • Chinese collections • Late medieval art • William Henry Fox Talbot • Cain and Abel’s offering • Urban views • Reenactment • Annunciation • Portali • Iscrizioni • Immersive art • Threshold symbolism • Triumphal arch • Medieval Dalmatia • Museums • Missionary Collecting • Immagini sacre • Bastiani, Monopoli, Puglia • Visual identity • Vierge ouvrante • Genealogy • Moving-image • Temporality • An-icon • Image-making • Renaissance perspective • Threshold • Marin Sanudo • Opening Madonna • Iconography • Religious alterity • Magiciens de la terre, Global Art, Global Art Hist • Split Cathedral • Emilia-Romagna • Disobedience Archive • Missionary exhibitions • Frescoes
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language en, fr, it
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