Soglia | Threshold
open access | peer reviewedKeywords Chiese veneziane • Religious alterity • Frescoes • Magiciens de la terre, Global Art, Global Art Hist • Disobedience Archive • Chinese collections • Visual identity • Split Cathedral • hortus conclusus • William Henry Fox Talbot • Opening Madonna • Emilia-Romagna • Image-making • Renaissance perspective • Immagini sacre • Intarsia • Cain and Abel’s offering • Choir stalls • Missionary Collecting • Late medieval art • Porta clausa • Threshold • Genealogy • Iconography • An-icon • Portali • Missionary exhibitions • Triumphal arch • Christological narrative • Medieval Dalmatia • Temporality • Moving-image • Vierge ouvrante • Bastiani, Monopoli, Puglia • Annunciation • Marin Sanudo • Reenactment • Urban views • Immersive art • Threshold symbolism • Iscrizioni • Museums
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language fr, en, it
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