Soglia | Threshold
open access | peer reviewedKeywords Portali • Missionary exhibitions • Annunciation • Split Cathedral • An-icon • Christological narrative • Immersive art • Temporality • Magiciens de la terre, Global Art, Global Art Hist • Triumphal arch • Urban views • Emilia-Romagna • William Henry Fox Talbot • Chiese veneziane • Moving-image • Museums • Late medieval art • hortus conclusus • Porta clausa • Iscrizioni • Threshold • Frescoes • Genealogy • Immagini sacre • Medieval Dalmatia • Opening Madonna • Renaissance perspective • Intarsia • Bastiani, Monopoli, Puglia • Reenactment • Cain and Abel’s offering • Chinese collections • Vierge ouvrante • Disobedience Archive • Choir stalls • Threshold symbolism • Visual identity • Image-making • Missionary Collecting • Marin Sanudo • Religious alterity • Iconography
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language en, fr, it
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