Il gioco di nessuno

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Campo DC	Valore
dc.identifier	ECF_chapter_3459
dc.contributor.author	Dolzani Francesca
dc.title	Il gioco di nessuno. La forma biennale tra Venezia e Parigi nella fotografia del dopoguerra fino agli anni Ottanta
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	The purpose of this article is to start mapping the trajectories of artistic dispositives, exhibiting formats and reciprocal cultural influences across Europe since its economic and political foundation in the 1950s, and up until the 1980s. Lines are drawn between Venice and Paris, two of the most visually identified cities on the continent, to explore the contribution given by photography and Biennales towards a European self-representation.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.relation.ispartof	Atlante delle Biennali
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-12-18
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-367-0/il-gioco-di-nessuno/
dc.identifier.doi	10.30687/978-88-6969-366-3/013
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-367-0
dc.identifier.eisbn	978-88-6969-366-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Biennale Photo-Cinéma
dc.subject	Biennale Photo-Cinéma
dc.subject	Biennale della Fotografia Venezia
dc.subject	Biennale della Fotografia Venezia
dc.subject	Mois de la Photo
dc.subject	Mois de la Photo
dc.subject	Venezia ’79
dc.subject	Venezia ’79

Capitolo
open access

Il gioco di nessuno

La forma biennale tra Venezia e Parigi nella fotografia del dopoguerra fino agli anni Ottanta

Francesca Dolzani

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abstract

The purpose of this article is to start mapping the trajectories of artistic dispositives, exhibiting formats and reciprocal cultural influences across Europe since its economic and political foundation in the 1950s, and up until the 1980s. Lines are drawn between Venice and Paris, two of the most visually identified cities on the continent, to explore the contribution given by photography and Biennales towards a European self-representation.

Pubblicato

18 Dicembre 2019

Lingua

ISBN (PRINT)

978-88-6969-367-0

ISBN (EBOOK)

978-88-6969-366-3

Keywords: Mois de la Photo • Venezia ’79 • Biennale della Fotografia Venezia • Biennale Photo-Cinéma

permalink: http://doi.org/10.30687/978-88-6969-366-3/013

Copyright: © 2019 Francesca Dolzani. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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