Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

crossmark logo

open access
    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords 15th century • Unity of West and East • Religion • Book illustration • Print • Medieval mosaic floor • Symbols • Central Asian architectural décor • Museum of Painterly Culture • Celebration of unity • Dmitry Zhilinsky • National style • Gunch • Post-Impressionism • VKHUTEMAS • Videographic criticism • Shape of water • Allegory of Russia • Quattrocento • YouTube • Easel Painters’ Society • Livre d’artiste • Monumental painting • Nineteenth-century editions • Influence • Kazan railway station • Old masters • Art history and ethnography • Expressionism • Reception • Islimi • Interpretation • New Objectivity • Prophecy • Tangible forms • Academicism • Type-token distinction • Art Nouveau • Edwardian gift book • Speculative cinema • Venturi • Stucco • History of collections • Bouchot • Peltae pattern • Christianism • Nineteenth-century France • Roger Fry • Compositional axes • Post-soviet art • Art ontology • Richard Wollheim • Statics • Soviet painter • Easel painting • Apocalypse • Pre-Columbian art • Non-European art exhibitions • Dogma • Perception • Girikh • Post-soviet society • Project Method – Dynamics • Artistic reception • Visual perception • Contemporary Soviet Art • Soviet painting • Abstraction • Weimar art • Marble slab • Дмитрий Жилинский • Woodcut • Italian Studies • Canon • Nostalgia • Timur Novikov • Nicholas Roerich • Film studies • Art ‘before Raphael’ • Islamic architectural ornament • Joseph Margolis • Soviet architectural décor • Proto-Renaissance • Italian painting • Berlin Dada • Pre-Columbian collections • Non finito • Formula similarity • Systems • Allegory for peace • ‘Peace’ • Post-media condition • Russian art • Eugene Lanceray • Artie Vierkant • ‘Motherland’ • Miniature • Parody • Modernism • Postcolonial studies

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua en, ru, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.