Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Italian painting • Edwardian gift book • Marble slab • Systems • Religion • Kazan railway station • Modernism • Artie Vierkant • Islamic architectural ornament • Gunch • Influence • Nicholas Roerich • Proto-Renaissance • Postcolonial studies • Miniature • Peltae pattern • Nineteenth-century editions • Дмитрий Жилинский • Apocalypse • Reception • Stucco • Monumental painting • Soviet painting • Art Nouveau • Type-token distinction • ‘Motherland’ • Pre-Columbian art • YouTube • Celebration of unity • Timur Novikov • Weimar art • Roger Fry • Contemporary Soviet Art • Visual perception • Book illustration • Post-soviet society • Expressionism • Print • Symbols • Tangible forms • Bouchot • 15th century • Old masters • Film studies • Project Method – Dynamics • Islimi • Post-soviet art • National style • Russian art • Canon • Easel painting • Compositional axes • Unity of West and East • Dmitry Zhilinsky • Nostalgia • Italian Studies • Perception • Museum of Painterly Culture • Nineteenth-century France • Quattrocento • Soviet architectural décor • Dogma • Videographic criticism • Artistic reception • VKHUTEMAS • Central Asian architectural décor • Soviet painter • Pre-Columbian collections • Post-media condition • Non-European art exhibitions • Livre d’artiste • Non finito • Post-Impressionism • Richard Wollheim • Christianism • History of collections • Girikh • Medieval mosaic floor • Art ontology • Prophecy • Joseph Margolis • Eugene Lanceray • Speculative cinema • Abstraction • New Objectivity • Art ‘before Raphael’ • ‘Peace’ • Easel Painters’ Society • Statics • Allegory for peace • Venturi • Formula similarity • Shape of water • Parody • Academicism • Interpretation • Art history and ethnography • Berlin Dada • Woodcut • Allegory of Russia

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua it, ru, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.