Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

crossmark logo

open access
    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Easel painting • Artistic reception • Timur Novikov • Postcolonial studies • Project Method – Dynamics • Videographic criticism • Academicism • Nineteenth-century France • Weimar art • Museum of Painterly Culture • Christianism • Joseph Margolis • Gunch • Systems • Italian Studies • Reception • Medieval mosaic floor • Print • Art ‘before Raphael’ • Apocalypse • Abstraction • Miniature • Stucco • ‘Motherland’ • Perception • Woodcut • Dogma • Nineteenth-century editions • Kazan railway station • Allegory of Russia • Soviet painter • Soviet painting • Marble slab • Book illustration • Eugene Lanceray • National style • Statics • Дмитрий Жилинский • Shape of water • Berlin Dada • Speculative cinema • Non-European art exhibitions • Post-Impressionism • Soviet architectural décor • Art Nouveau • Livre d’artiste • 15th century • Bouchot • Art ontology • ‘Peace’ • Visual perception • Expressionism • Tangible forms • Unity of West and East • Nostalgia • Italian painting • Pre-Columbian collections • Post-soviet art • Venturi • Symbols • Monumental painting • Art history and ethnography • Prophecy • Post-soviet society • Proto-Renaissance • Formula similarity • Dmitry Zhilinsky • Contemporary Soviet Art • New Objectivity • Allegory for peace • Roger Fry • Quattrocento • YouTube • Celebration of unity • Easel Painters’ Society • Girikh • Artie Vierkant • Russian art • Parody • Richard Wollheim • Film studies • Edwardian gift book • Religion • Modernism • Islimi • Pre-Columbian art • VKHUTEMAS • Islamic architectural ornament • Old masters • Non finito • Compositional axes • Type-token distinction • Influence • Peltae pattern • Canon • Central Asian architectural décor • Nicholas Roerich • History of collections • Interpretation • Post-media condition

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua en, ru, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.