Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Book illustration • Richard Wollheim • Eugene Lanceray • Videographic criticism • Parody • Pre-Columbian art • Weimar art • Allegory of Russia • Symbols • YouTube • Monumental painting • Italian Studies • Expressionism • Dmitry Zhilinsky • Stucco • 15th century • Interpretation • Film studies • Project Method – Dynamics • Kazan railway station • Italian painting • Nicholas Roerich • Nineteenth-century France • Post-media condition • Formula similarity • Non-European art exhibitions • Livre d’artiste • Berlin Dada • Venturi • Proto-Renaissance • Peltae pattern • Soviet architectural décor • History of collections • Joseph Margolis • Contemporary Soviet Art • Art ontology • Easel painting • Allegory for peace • Artie Vierkant • Systems • Prophecy • Shape of water • Visual perception • Gunch • Compositional axes • Islimi • Timur Novikov • Celebration of unity • Nostalgia • Soviet painter • Reception • Bouchot • Abstraction • Islamic architectural ornament • Unity of West and East • Christianism • Religion • Type-token distinction • Speculative cinema • Edwardian gift book • Дмитрий Жилинский • New Objectivity • ‘Motherland’ • Roger Fry • Print • Art ‘before Raphael’ • Easel Painters’ Society • Artistic reception • Post-Impressionism • Central Asian architectural décor • Modernism • Soviet painting • Marble slab • Art Nouveau • Postcolonial studies • Apocalypse • Influence • Non finito • Post-soviet society • Post-soviet art • Dogma • Museum of Painterly Culture • Canon • Nineteenth-century editions • Perception • Academicism • Old masters • Tangible forms • Russian art • ‘Peace’ • Miniature • VKHUTEMAS • National style • Statics • Quattrocento • Medieval mosaic floor • Woodcut • Pre-Columbian collections • Art history and ethnography • Girikh

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua it, ru, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.