Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

crossmark logo

open access
    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Miniature • Roger Fry • National style • Art ‘before Raphael’ • Дмитрий Жилинский • Art Nouveau • Berlin Dada • Christianism • Old masters • Visual perception • Soviet architectural décor • Richard Wollheim • Proto-Renaissance • Influence • Soviet painter • ‘Peace’ • Peltae pattern • YouTube • Project Method – Dynamics • Dogma • Stucco • Non finito • Interpretation • Medieval mosaic floor • Contemporary Soviet Art • Easel painting • Pre-Columbian art • Russian art • Bouchot • Gunch • Speculative cinema • Symbols • Marble slab • Edwardian gift book • 15th century • Prophecy • Type-token distinction • Venturi • Joseph Margolis • Italian Studies • Abstraction • Dmitry Zhilinsky • Italian painting • Post-soviet society • VKHUTEMAS • Statics • Nicholas Roerich • Expressionism • Central Asian architectural décor • Allegory of Russia • Timur Novikov • Nostalgia • Compositional axes • Apocalypse • ‘Motherland’ • Nineteenth-century France • Religion • Book illustration • Formula similarity • Modernism • History of collections • Livre d’artiste • Monumental painting • Museum of Painterly Culture • Perception • Post-Impressionism • Print • Quattrocento • Art history and ethnography • Shape of water • Islimi • Girikh • Artistic reception • Artie Vierkant • Weimar art • Canon • Eugene Lanceray • Systems • Parody • Tangible forms • Art ontology • Islamic architectural ornament • Non-European art exhibitions • New Objectivity • Postcolonial studies • Celebration of unity • Post-soviet art • Easel Painters’ Society • Allegory for peace • Reception • Soviet painting • Film studies • Woodcut • Kazan railway station • Academicism • Pre-Columbian collections • Post-media condition • Nineteenth-century editions • Unity of West and East • Videographic criticism

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua ru, it, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.