Collana | Antichistica
Miscellanea | Paulo maiora canamus
Capitolo | Variazioni umanistiche su Catullo
Abstract
Nicolò d’Arco (Trentino, Northern Italy) was an appreciated Latin poet and courtier of the first half of the sixteenth century, connected to the House of Gonzaga and to Mantua. His collection of verses, the so-called Numeri, contains erotic, political, and religious texts in Latin, addressed to many different patrons and friends. This paper focuses on an elegy in which the poet shows a strong and individual imitation of Catullus, and seeks to underline the relationship between the neo-Latin poet and the classical author.
Presentato: 28 Giugno 2021 | Accettato: 28 Luglio 2021 | Pubblicato 14 Dicembre 2021 | Lingua: it
Keywords Catullus • Fortuna Catulli • Nicolò d’Arco • Neo-Latin poetry • Neo-Latin elegy
Copyright © 2021 Martina Venuti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-557-5/024
Storia letteraria e intertestualità
Note filologiche
Studi sul Tardoantico
Studi di ricezione
Appendice
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_6509 |
dc.contributor.author |
Venuti Martina |
dc.title |
Variazioni umanistiche su Catullo. Il caso di Nicolò d'Arco |
dc.type |
Capitolo |
dc.language.iso |
it |
dc.description.abstract |
Nicolò d’Arco (Trentino, Northern Italy) was an appreciated Latin poet and courtier of the first half of the sixteenth century, connected to the House of Gonzaga and to Mantua. His collection of verses, the so-called Numeri, contains erotic, political, and religious texts in Latin, addressed to many different patrons and friends. This paper focuses on an elegy in which the poet shows a strong and individual imitation of Catullus, and seeks to underline the relationship between the neo-Latin poet and the classical author. |
dc.relation.ispartof |
Antichistica |
dc.relation.ispartof |
Filologia e letteratura |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.issued |
2021-12-14 |
dc.dateAccepted |
2021-07-28 |
dc.dateSubmitted |
2021-06-28 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-558-2/variazioni-umanistiche-su-catullo/ |
dc.identifier.doi |
10.30687/978-88-6969-557-5/024 |
dc.identifier.issn |
2610-8828 |
dc.identifier.eissn |
2610-9344 |
dc.identifier.isbn |
978-88-6969-558-2 |
dc.identifier.eisbn |
978-88-6969-557-5 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Catullus |
dc.subject |
Catullus |
dc.subject |
Fortuna Catulli |
dc.subject |
Fortuna Catulli |
dc.subject |
Neo-Latin elegy |
dc.subject |
Neo-Latin elegy |
dc.subject |
Neo-Latin poetry |
dc.subject |
Neo-Latin poetry |
dc.subject |
Nicolò d’Arco |
dc.subject |
Nicolò d’Arco |
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