Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Project Method – Dynamics • Book illustration • Livre d’artiste • Prophecy • Joseph Margolis • Abstraction • Shape of water • New Objectivity • Islamic architectural ornament • Compositional axes • Expressionism • Statics • Tangible forms • Unity of West and East • Art ontology • Kazan railway station • Monumental painting • Religion • Nineteenth-century editions • Allegory for peace • Eugene Lanceray • Modernism • Non finito • ‘Motherland’ • Girikh • Museum of Painterly Culture • Contemporary Soviet Art • Russian art • Quattrocento • Bouchot • Interpretation • Dogma • Art history and ethnography • Formula similarity • Woodcut • Peltae pattern • History of collections • Art Nouveau • Christianism • Medieval mosaic floor • Дмитрий Жилинский • Richard Wollheim • Islimi • Easel Painters’ Society • Post-soviet art • Visual perception • Berlin Dada • Italian painting • Dmitry Zhilinsky • Non-European art exhibitions • Nostalgia • Artie Vierkant • Canon • Roger Fry • Timur Novikov • Easel painting • Post-Impressionism • Soviet painting • Post-soviet society • Italian Studies • Pre-Columbian collections • Pre-Columbian art • Academicism • VKHUTEMAS • Postcolonial studies • Systems • Venturi • Weimar art • 15th century • Central Asian architectural décor • National style • Print • Apocalypse • Marble slab • Soviet painter • Type-token distinction • Art ‘before Raphael’ • Speculative cinema • Videographic criticism • Gunch • Artistic reception • Film studies • Post-media condition • Nineteenth-century France • Parody • Reception • Miniature • Celebration of unity • Soviet architectural décor • Old masters • Allegory of Russia • YouTube • Symbols • Edwardian gift book • ‘Peace’ • Influence • Proto-Renaissance • Stucco • Perception • Nicholas Roerich

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language ru, it, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.