Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Videographic criticism • Kazan railway station • Russian art • Postcolonial studies • Academicism • Type-token distinction • Reception • Islamic architectural ornament • Italian painting • Proto-Renaissance • Statics • New Objectivity • Soviet architectural décor • Apocalypse • Central Asian architectural décor • Canon • Print • Religion • Film studies • Soviet painting • Compositional axes • Allegory for peace • Roger Fry • Bouchot • Museum of Painterly Culture • Dogma • Perception • Peltae pattern • Timur Novikov • Celebration of unity • Nicholas Roerich • Project Method – Dynamics • Stucco • Eugene Lanceray • Easel painting • Contemporary Soviet Art • Old masters • Shape of water • Artistic reception • Nineteenth-century editions • Non finito • Girikh • Miniature • Art Nouveau • Дмитрий Жилинский • Quattrocento • Livre d’artiste • Unity of West and East • Formula similarity • Post-soviet society • YouTube • Prophecy • Nineteenth-century France • Italian Studies • Artie Vierkant • Dmitry Zhilinsky • Non-European art exhibitions • Art ‘before Raphael’ • Christianism • Influence • Post-Impressionism • Art history and ethnography • Art ontology • Tangible forms • Abstraction • Allegory of Russia • Book illustration • Joseph Margolis • Parody • Venturi • Islimi • Expressionism • ‘Motherland’ • 15th century • Post-soviet art • Modernism • Richard Wollheim • Weimar art • Systems • ‘Peace’ • Gunch • History of collections • Easel Painters’ Society • Visual perception • Medieval mosaic floor • Speculative cinema • Nostalgia • Soviet painter • Monumental painting • VKHUTEMAS • Edwardian gift book • National style • Symbols • Post-media condition • Woodcut • Pre-Columbian art • Interpretation • Marble slab • Pre-Columbian collections • Berlin Dada

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language it, ru, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.