Dispute of Canons: Book Design Traditions at the Beginning of

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DC Field	Value
dc.identifier	ECF_chapter_5052
dc.contributor.author	Lebedev Dmitry
dc.title	Dispute of Canons: Book Design Traditions at the Beginning of the 20th Century. England vs France
dc.type	Chapter
dc.language.iso	en
dc.description.abstract	The end of the 19th century in England and France was a time of active growth for publishing houses, newspapers, magazines, and printed materials in general. This contributed to the emergence of a huge number of artists who specialised and occasionally participated in the design of books. These artists won their places through constant competition based on the quality of their drawings. England and France were the centres of the new art of the book, but the views and approaches of representatives of this type of graphics differed from each other in these countries. Thus, the purpose of this report is to demonstrate the difference between the canons and principles of English and French book design at the turn of the twentieth century.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-22
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-463-9/dispute-of-canons-book-design-traditions-at-the-be/
dc.identifier.doi	10.30687/978-88-6969-462-2/012
dc.identifier.eissn	2784-8868
dc.identifier.isbn	978-88-6969-463-9
dc.identifier.eisbn	978-88-6969-462-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Art Nouveau
dc.subject	Art Nouveau
dc.subject	Book illustration
dc.subject	Book illustration
dc.subject	Edwardian gift book
dc.subject	Edwardian gift book
dc.subject	Livre d’artiste
dc.subject	Livre d’artiste
dc.subject	Nineteenth-century editions
dc.subject	Nineteenth-century editions

Chapter
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Dispute of Canons: Book Design Traditions at the Beginning of the 20th Century

England vs France

Dmitry Lebedev State Institute of Art Studies (SIAS), Moscow, Russia

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abstract

The end of the 19th century in England and France was a time of active growth for publishing houses, newspapers, magazines, and printed materials in general. This contributed to the emergence of a huge number of artists who specialised and occasionally participated in the design of books. These artists won their places through constant competition based on the quality of their drawings. England and France were the centres of the new art of the book, but the views and approaches of representatives of this type of graphics differed from each other in these countries. Thus, the purpose of this report is to demonstrate the difference between the canons and principles of English and French book design at the turn of the twentieth century.

Published

Dec. 22, 2020

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ISBN (PRINT)

978-88-6969-463-9

ISBN (EBOOK)

978-88-6969-462-2

Keywords: Livre d’artiste • Book illustration • Nineteenth-century editions • Edwardian gift book • Art Nouveau

permalink: http://doi.org/10.30687/978-88-6969-462-2/012

Copyright: © 2020 Dmitry Lebedev. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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