El teatro clásico español y su traducción entre texto literario y práctica escénica
open access | peer reviewed
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edited by
- Claudia Demattè - Università degli Studi di Trento, Italia - email
- Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
- Marco Presotto - Università degli Studi di Trento, Italia - email
Abstract
The book reflects on translating Golden Age theater in the contemporary era. Following the publication of the project’s founding volume in 2020, a diverse group of scholars focuses here on theoretical aspects and unique case studies. They explore new perspectives on the relationship between translation work, the demands of performative texts, and cultural dissemination in a global context.
Keywords Poetic translation • Antoine Berman • L’audace Belisa • Translation canon • Adaptation • Lope de Vega • Literature • Fidelity • Alterité • Heteropoetics • Entremeses • El mejor alcalde, el rey • Puns and jokes • Reception • Onomastics • The mimic method • Homopoetics • Translation theory • Spanish classical theatre • La vida es sueño • Verse translation • Rhyme • Literary canon • Dramaturgy • Lawrence Venuti • Retranslation • Translation • Intercultural reception • La boba para los otros y discreta para sí • August Sang • Gherardo Marone • Staging • Verbal humour • Le bizzarrie di Belisa • The translation of Enrica Cancelliere • Raffaello Melani • Friedrich Schleiermacher • Estonia • Surtitles • Accessibility • Theatre translation • Ruggero Jacobbi • Stage performance • Lembit Peterson • La Duchessa di Urbino • Foreignizing • Metre • Orazio Costa’s theatrical production • Translating theatre • Spanish Golden Age drama • Diversifying the Classics • Twentieth century Italian translations • Jean-Michel Déprats • David Johnston • Russia • Subtitles • Golden Age theater • Il miglior giudice è il re • Hispanism • Ain Kaalep • George Steiner • Cervantes • Sigismund’s lament
Permalink http://doi.org/10.30687/978-88-6969-948-1 | e-ISBN 978-88-6969-948-1 | Published Oct. 27, 2025 | Language es, en
Copyright © 2025 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.