Annali di Ca’ Foscari. Serie occidentale

55 | 2021

open access | peer reviewed

Keywords Split scene • The ‘non-representable’ • Pedro Calderón de la Barca • Self-perception • Marmeladov • Family • Gnoseology • Intermediality • Yäel Farber • Stage • Italian L2 • Modal particle • Face masks • Intercultural awareness • Speech community • German language • Ernst Jünger • Translation Studies • Félix Vallotton • Wuthering Heights • Japanese American Literature • Nature • Divided language • Intercultural citizenship • Japanese American Internment • Forgetfulness • Request • Connective • Moroccan multilingualism • Arabizi - Arabic chat alphabet • Model Minority • Polarity • Speech act • Intertextuality • Modernity • Consonants • Invisibility • Loubok • Transcultural intertextuality • Contemporary American literature • Memory Studies • Spiritual exercises • Puppet • Topic • Boundaries • Primary education • Dostoevsky • Gene Oishi • Interlanguage Pragmatics • Russian L2 • Sociolinguistics • Intercultural competence • Codeswitching • Textual criticism • Sight • Technology • Visibility and Invisibility • Snapshots • German literature • Greek tragedy in post-Apartheid theatre • Computer-mediated communication (CMC) • La cena del rey Baltasar • Foreign language education • Ways of thinking • Hapax • Arab-Americans • Theatre • Crime and Punishment • Photography • Discourse marker • Emily Brontë • 9/11 • Philosophy of language • Singing • Metaphor • Styles • Verum focus • Metamorphosis • Molora • Phonetics • Linguistic repertoires • Individuality • Speech • Intertextuality and hermeneutics • Literary geography

Permalink http://doi.org/10.30687/AnnOc/2499-1562/2021/09 | Published Sept. 30, 2021 | Language en, es, it, de

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