56 | 2022
open access | peer reviewedKeywords Cartography • Theatre • Adverbs • Latin • Sumaya Abdel Qader • Focus • Giorgio Agamben • Abruzzese • Inflected infinitives • Italian as an L2/FL • Mysticism • Polish • Gender-fair language • Infinitive relatives • Palissot de Montenoy • Literature and spirituality • Speech act • Chianino • Request • Topic • Catabasis • Determiner phrase • Feminisation • S-retraction • Sibilants • Lucan • First-person pronouns • Truncation • Gender mismatch • Renaissance drama • Foreign Language Learning • France • Boy Actors • American epic literature • Giuseppe Montesano • Associative plural pronouns • Migrant origin • Typology of pronouns • Jeden • Romanticism • Language change • Language contact • Numeral ‘one’ • Interlanguage Pragmatics • Nerval • Pharsalia • Symbolism • Claudio Magris • Letters • Esoterism • Alonso de Ercilla • La Araucana • Modal adverbs • Partitive constructions • Russian L2 • Carnivalesque • Enlightenment • Nathaniel Hawthorne • Italo-Romance morpho-syntax • US Capitol Riot • Virgil • Italian L2 • National foundation • Ezra Pound • Focus particles • Second Language Acquisition • Left periphery • Gender agreement • The Aeneid • Indefinite determiner • Translation • Cultural Studies • Women writers • Cross-dressing
Permalink http://doi.org/10.30687/AnnOc/2499-1562/2022/10 | Published Sept. 30, 2022 | Language fr, es, en, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.