Annali di Ca’ Foscari. Serie occidentale

55 | 2021

open access | peer reviewed

Keywords Split scene • Crime and Punishment • German literature • Polarity • Memory Studies • Intercultural citizenship • Puppet • Gene Oishi • 9/11 • Forgetfulness • Sociolinguistics • Gnoseology • Verum focus • Phonetics • The ‘non-representable’ • Textual criticism • Greek tragedy in post-Apartheid theatre • Request • Invisibility • Styles • Intercultural awareness • Translation Studies • Consonants • Modernity • Topic • Intercultural competence • Pedro Calderón de la Barca • Yäel Farber • Transcultural intertextuality • Metaphor • Interlanguage Pragmatics • Self-perception • Computer-mediated communication (CMC) • Hapax • Intertextuality and hermeneutics • Foreign language education • Nature • Face masks • Speech act • Individuality • Family • Singing • Connective • German language • Moroccan multilingualism • Photography • Félix Vallotton • Wuthering Heights • Stage • Speech community • Technology • Arabizi - Arabic chat alphabet • Russian L2 • Ways of thinking • Boundaries • Emily Brontë • Literary geography • Divided language • Japanese American Internment • Intermediality • Metamorphosis • Visibility and Invisibility • Speech • Model Minority • Theatre • Snapshots • Japanese American Literature • Primary education • Linguistic repertoires • Discourse marker • Modal particle • Ernst Jünger • Codeswitching • Contemporary American literature • Spiritual exercises • Philosophy of language • Dostoevsky • Italian L2 • La cena del rey Baltasar • Intertextuality • Arab-Americans • Marmeladov • Molora • Sight • Loubok

Permalink http://doi.org/10.30687/AnnOc/2499-1562/2021/09 | Published Sept. 30, 2021 | Language it, es, de, en

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