Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Methodius of Olympus • South Asian Art • Japan and Okinawa • Contemporary Japanese Literature • Ernesto de Martino • Ajavilāpa • Fin-de-siècle Italy • Takahashi Gen’ichirō • Made-in-Italy food • Hino Ashihei • Upaniṣad • World Bank • Elena Ferrante • Possessive Individualism • Mevlevî Ceremonies • Urban literature • Intermediality • Indian Painting • Food piracy • Halo construct • Japanese Cinema • Mevlevî Dervishes • ʿAishī Shīrāzī • Contemporary Chinese literature • Graffiti • Correspondence • Market economy • Civil society • Chinese Middle-class Consumers • Terayama Shūji • Adverse selection • Performance • ʿIshrat-nāma • Debt Relief • Chinese fansubbing • Textual Criticism • Arabic language • Ottoman Classical Music • Art Collecting • Contemporary Chinese art • Xu Zechen • Rupture Movement • Self-rotation • Non-professional translation • Scholars’ network • Connected History & Global History • Washington Consensus • Euphemism • Pāli • Society • US-occupied Okinawa • Imaginative geographies • Iddhi • Abhiññā • Dolls as metaphors • Historical musicology • Learning • Parody • Veda • Maqām/makam/mughām • Funerary lament in ancient world • Arabic linguistics • History of music in the Middle East • Agricultural trade • Italian sounding • The state • History of Sufism • Information asymmetry • Linguistic taboo • Transaction costs • 3/11 Literature • Gomorra-La serie • Eznik of Kołb • Dah-nāma • Armenian Literature • Globalisation • Chinese literati • Colonial gaze • Dervish Ceremonies • Khalīl b • Tammām Ḥassān • Mode • Sufi Music • Japonisme • Aq-Quyūnlū • Orientalism • Shiraz • International Monetary Fund • Uzun Ḥasan • Kwanyin Clan • Chinese Values • La figlia oscura • Literature analysis • ʿInāyat-Allāh Beg • Modern Art Criticism • Spectatorship • Connected History & Global History • Dervishes • ‘Three perfections’ • Chinese rural-urban migrants • Mamluk period • Ottoman History • Didactics of Arabic to non-Arabic-speaking • Body • Othering • The social • History of music in Central Asia • Taḏawwuq adabī • Identity • Western Travels History • Society as a whole • Chinese market • Inanimate objects in literature • Algeria • Nicolò Manucci • Intellectual History • Manomaya-kāya • Raghuvaṃśa • Buddhism • Nation-state

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language en, fr, it

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