59 | 2023
open access | peer reviewedKeywords Šams-i Qays • Collective sphere • Portrait • Intercultural communication • Kanji • Safavid-Venetian relations • Political Islam • Takao Suzuki • Contemporary Arabic literature • Gushi Xinbian • Spolia • Sima Qian • Memories • Armenian church • Asian religions in Italy • Women artists • Socio-cultural signs • Manichaean texts • Adolescents • Materiality • Chinese literature • Korean New Women • Migrant workers’ poetry • Ceremony • Labour • Chinese • Indo-European Languages • Buddhism • Christianisation processes • Poetics of ‘propensity’ • Politics • Translation analysis • Ᾱghā khān • Archaeology • Eastern Iranian Languages • Women photographers • James Joyce • Fragments d’un discours amoureux • Kyūshū • Xiaolu Guo • Cai Wei • Japanese photography • Religious change • Ecolinguistics • Art • Ise • Japanese archaeology • Zaynab al-Ghazālī al-Ǧabīlī • Japanese female photography • Islamic movements • Armenian translation • Posthuman existences • Literary translation • Onomasiological approach • A Lover’s Discourse • Kawakami Hiromi • Kofun Period • Hope and despair • Neoliberalism and Consumerism • Ritual • Technology • Lu Xun • Persian language • Buke Kojitsu • Binomens • Boat symbolism • Etymology • Elena Ferrante in China • Donors • Manichaean alphabet • Education • Ideology • British colonial rule • Colonial subject • Ulysses • Egypt • Yanagi Miwa • Neoclassical compounds • Kakari-musubi • Devotional literature • Kyōgen • Early modern travel • Compounding • Sinophone literature • Sociology of literature • Islamicate Manichaeism • Jesuit • Salim Barakat • Protohistoric art • Window • Jesus in Chinese literature • Appositive compounds • Dictatorship • Rhyme • Bao Tianxiao • Ch’oe Yŏngsuk (Choi Young-Sook) • Gendered language • Christianity in Chinese literature • Imām Ḥusayn • Muslim Brotherhood • Identity • Intertextuality • Republican Era literature • Sixteenth century • Marsiya • Rewriting history • Literature and poetical imagery • Mandarin Ducks and butterflies • Roland Barthes • Medieval reuses • Diplomatic history • Tensho embassy • Dystopian novel • Japan • Gandhara • Cultural references • Sociolinguistic variation • Ernst Haeckel • Individuality • Toraakirabon • Ossetic • Signifier • Conceptual combination • Colour as a sign • Khachkar • Late Middle Japanese • Yi lü ma • Elite women in Modern Korea • Japanese case particles • Impact assessment • Safavid envoys • International student • Nausicaa episode • Colonial Korea • Decorated tombs • Independence movement • Short story “Medicine” • Ḥurūf-i qāfiya • Environment • Qie ming bo • History of photography • Nasserism • Signified • Lai Hsiang-yin • Contemporary Chinese literature • Venice • Japanese compounds • Khojas • Women • Manners • Syrian novel • Translation strategies • Urartian inscriptions • Ishiuchi Miyako • Persian poetry • Lee Wai Yi • Ghost narrative • Workers’ poetry • Early new Persian • Venice Art Biennale
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language it, en, fr
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