59 | 2023
open access | peer reviewedKeywords Cultural references • Neoclassical compounds • Sima Qian • Political Islam • Islamic movements • Kyōgen • Memories • Sinophone literature • Ch’oe Yŏngsuk (Choi Young-Sook) • Ise • Dystopian novel • Khojas • Yi lü ma • Ghost narrative • Chinese literature • Diplomatic history • Appositive compounds • British colonial rule • Ulysses • Šams-i Qays • Republican Era literature • Qie ming bo • Nasserism • Armenian church • Impact assessment • Women • Ritual • Neoliberalism and Consumerism • Venice • Urartian inscriptions • Zaynab al-Ghazālī al-Ǧabīlī • Technology • Identity • History of photography • Donors • Literature and poetical imagery • Mandarin Ducks and butterflies • Protohistoric art • Syrian novel • Bao Tianxiao • Gendered language • Ideology • Sociology of literature • Gandhara • Jesuit • Translation strategies • Cai Wei • Japanese archaeology • Dictatorship • Venice Art Biennale • Contemporary Arabic literature • Women artists • Early modern travel • Kofun Period • Devotional literature • Armenian translation • Archaeology • Decorated tombs • Late Middle Japanese • Sixteenth century • Workers’ poetry • Toraakirabon • Buke Kojitsu • Adolescents • Environment • Hope and despair • Korean New Women • Lu Xun • Manichaean texts • Japan • Women photographers • Gushi Xinbian • Manichaean alphabet • Indo-European Languages • Short story “Medicine” • Lee Wai Yi • Asian religions in Italy • Elena Ferrante in China • Ᾱghā khān • Kyūshū • Signifier • Rhyme • Onomasiological approach • Persian language • Nausicaa episode • Materiality • Tensho embassy • Christianisation processes • Intertextuality • Boat symbolism • Etymology • Ecolinguistics • Imām Ḥusayn • Binomens • Japanese compounds • Persian poetry • A Lover’s Discourse • Yanagi Miwa • Xiaolu Guo • Egypt • Window • Safavid envoys • Colour as a sign • Ceremony • Islamicate Manichaeism • Manners • Rewriting history • Jesus in Chinese literature • Portrait • Marsiya • Safavid-Venetian relations • Labour • Eastern Iranian Languages • Japanese case particles • Socio-cultural signs • Ḥurūf-i qāfiya • Takao Suzuki • Kawakami Hiromi • Japanese photography • Spolia • Kakari-musubi • Ishiuchi Miyako • Compounding • Medieval reuses • Signified • Elite women in Modern Korea • Early new Persian • Education • Japanese female photography • Art • Salim Barakat • Ossetic • Collective sphere • Buddhism • Individuality • Intercultural communication • Literary translation • Fragments d’un discours amoureux • Independence movement • Christianity in Chinese literature • Chinese • Contemporary Chinese literature • International student • James Joyce • Roland Barthes • Religious change • Conceptual combination • Muslim Brotherhood • Migrant workers’ poetry • Lai Hsiang-yin • Colonial Korea • Posthuman existences • Khachkar • Colonial subject • Kanji • Ernst Haeckel • Politics • Translation analysis • Sociolinguistic variation • Poetics of ‘propensity’
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language en, fr, it
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