59 | 2023
open access | peer reviewedKeywords Ch’oe Yŏngsuk (Choi Young-Sook) • Politics • Art • Kyōgen • Short story “Medicine” • Christianity in Chinese literature • Lee Wai Yi • Cultural references • Venice Art Biennale • Xiaolu Guo • Kakari-musubi • Fragments d’un discours amoureux • Yanagi Miwa • Early new Persian • Independence movement • Sima Qian • Elena Ferrante in China • Individuality • Rewriting history • Ḥurūf-i qāfiya • Protohistoric art • Onomasiological approach • Signifier • Sociolinguistic variation • Toraakirabon • Japanese photography • Translation analysis • Christianisation processes • Literature and poetical imagery • James Joyce • Syrian novel • Zaynab al-Ghazālī al-Ǧabīlī • Impact assessment • Ishiuchi Miyako • Ossetic • Collective sphere • Kofun Period • History of photography • Roland Barthes • Republican Era literature • Colonial subject • Compounding • Archaeology • Ideology • Islamicate Manichaeism • Religious change • Khojas • Labour • Intertextuality • Indo-European Languages • Mandarin Ducks and butterflies • Sinophone literature • Devotional literature • Venice • Binomens • Colonial Korea • Bao Tianxiao • Decorated tombs • Literary translation • Safavid envoys • Donors • Dictatorship • Political Islam • Ghost narrative • International student • Muslim Brotherhood • Manichaean texts • Technology • Women • Qie ming bo • Persian language • Nausicaa episode • Neoclassical compounds • Armenian translation • Yi lü ma • Nasserism • Ceremony • Late Middle Japanese • Dystopian novel • Armenian church • Korean New Women • Education • Tensho embassy • Migrant workers’ poetry • Poetics of ‘propensity’ • Cai Wei • Ᾱghā khān • Portrait • Imām Ḥusayn • Urartian inscriptions • Buddhism • Khachkar • Spolia • Translation strategies • Egypt • Adolescents • Buke Kojitsu • Contemporary Arabic literature • Persian poetry • Salim Barakat • Islamic movements • Lai Hsiang-yin • Japanese case particles • Women photographers • Etymology • Materiality • Sixteenth century • Marsiya • Contemporary Chinese literature • Identity • Window • Sociology of literature • Women artists • Posthuman existences • Ernst Haeckel • Manichaean alphabet • Asian religions in Italy • Japan • Elite women in Modern Korea • Chinese literature • Gandhara • Gushi Xinbian • Jesus in Chinese literature • Early modern travel • Medieval reuses • Memories • Jesuit • Takao Suzuki • Ulysses • Workers’ poetry • Socio-cultural signs • Safavid-Venetian relations • A Lover’s Discourse • Eastern Iranian Languages • Japanese female photography • Ecolinguistics • Lu Xun • Diplomatic history • Ise • Neoliberalism and Consumerism • British colonial rule • Environment • Japanese compounds • Šams-i Qays • Chinese • Kawakami Hiromi • Conceptual combination • Rhyme • Colour as a sign • Manners • Boat symbolism • Appositive compounds • Kanji • Ritual • Japanese archaeology • Gendered language • Signified • Intercultural communication • Hope and despair • Kyūshū
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language it, fr, en
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