60 | 2024

Keywords Vaḥši Bāfqi • Anvari • Ottoman material culture • Image of femininity • Karmir-blur • Iranian Manichaean texts • Actorship • Seventeenth century • Directed motion constructions • Enchi Fumiko • Vegetarianism • Exhibition Studies • Urartu • Minua • Arabic • Japanese art • Sui dynasty • Persian manuscripts • Tadkerẹ • Rōjomono • Literary imageries • Hwarang • Home language • Chinese • Plurilingualism • L2 Vietnamese • Close reading • Candraprabhākumāra • Asia • Buddhism • Olfactory aesthetic • Mughal Empire • Phonological reconstruction • Japanese archaeology • Paleography • Yueguang Tongzi • Old Chinese • Ottoman stations • Dunhuang • Daoism • Aging body • Ottoman archaeology • Persian • Cognition • Bronze bowls • Excavated texts • Philology • Maitreya • Farhād va Širin • Language typology • Veridicality • Europe • Language maintenance and shift • Garden metaphors • Environmental sustainability • Silla • Tang dynasty • Ethical eating • Nanyue Huisi • Realism • The Berenson Collection • Korean • Identity • Persian literature • Bamboo manuscripts • South Asia • Epistemology • Navya-Nyāya • Late Islamic Kurdistan • Historical Phonology • Second language acquisition • Neo-Indo-Aryan literatures • Khans and routes of the Islamic world • Italo-Japanese cultural exchange • Paekche • Saljuqid literature • Indo-Persian literature • Cuneiform inscriptions • Millenarism • Religious experience • Persian poetry • Family language policy

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2024/01 | Published July 25, 2024 | Language en, it

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