60 | 2024

Keywords Olfactory aesthetic • Exhibition Studies • Environmental sustainability • Urartu • Family language policy • Actorship • Asia • Neo-Indo-Aryan literatures • Phonological reconstruction • Minua • Persian manuscripts • Persian poetry • Mughal Empire • The Berenson Collection • Farhād va Širin • Candraprabhākumāra • Ottoman archaeology • Daoism • Aging body • Persian literature • Directed motion constructions • Persian • Arabic • Maitreya • Vegetarianism • Realism • Hwarang • Tadkerẹ • Late Islamic Kurdistan • Rōjomono • Paekche • Nanyue Huisi • Home language • Japanese archaeology • Epistemology • Europe • Bronze bowls • Yueguang Tongzi • Language typology • Seventeenth century • Khans and routes of the Islamic world • L2 Vietnamese • Close reading • Chinese • South Asia • Literary imageries • Korean • Sui dynasty • Bamboo manuscripts • Philology • Cuneiform inscriptions • Second language acquisition • Excavated texts • Plurilingualism • Karmir-blur • Anvari • Paleography • Dunhuang • Cognition • Ottoman material culture • Image of femininity • Vaḥši Bāfqi • Indo-Persian literature • Italo-Japanese cultural exchange • Veridicality • Garden metaphors • Iranian Manichaean texts • Tang dynasty • Navya-Nyāya • Language maintenance and shift • Religious experience • Ottoman stations • Saljuqid literature • Ethical eating • Identity • Historical Phonology • Silla • Old Chinese • Enchi Fumiko • Japanese art • Millenarism • Buddhism

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2024/01 | Published July 25, 2024 | Language en, it

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