MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Khedive Ismail • Zaragoza • Como • Art Exhibition • Eugenio Linati • Glasswork • Paris • Eclecticism • Ottoman Turkey • Fin-de-siècle • Vienna • Adolfo Hohenstein • Emilio Longoni • Exhibition • Murano • Commission of monuments • Ottoman Empire • Avant-garde Exhibitions • Colonialism • Egypt • Photography • Expositions Universelles • Russian painters in America • World’s Columbian Exposition • Costantino Gilodi • Peredvizhniki • Paris 1867 • Industrial arts • Giacomo Salvadori • Cosmopolitanism • Islamic Art • American Art • Art nouveau • Display • Decorative arts • Carlo Ceppi • Imperial Fine Arts Academy • American Artists • Surrealism • Alessandro Volta • Exposition Universelle • Russian fine art • Mosaic • World’s Fair • Persia • Divisionismo • World Fairs • Landscape painting • Lombardy • Weltausstellung • Antonio Salviati • Simbolism • Heritage • Liberty

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language it, en

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