MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Mosaic • Landscape painting • Simbolism • Alessandro Volta • Paris 1867 • American Art • Murano • American Artists • Como • World’s Columbian Exposition • Eclecticism • Islamic Art • Photography • Costantino Gilodi • Art Exhibition • Imperial Fine Arts Academy • Paris • Commission of monuments • Surrealism • Egypt • Fin-de-siècle • Glasswork • Khedive Ismail • World Fairs • Antonio Salviati • World’s Fair • Russian fine art • Zaragoza • Avant-garde Exhibitions • Liberty • Industrial arts • Persia • Display • Carlo Ceppi • Peredvizhniki • Giacomo Salvadori • Decorative arts • Expositions Universelles • Adolfo Hohenstein • Weltausstellung • Colonialism • Eugenio Linati • Lombardy • Cosmopolitanism • Heritage • Ottoman Turkey • Russian painters in America • Vienna • Divisionismo • Exhibition • Exposition Universelle • Ottoman Empire • Art nouveau • Emilio Longoni

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

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