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Journal issue
open access peer reviewed

Vol. 11 | July 2022

Rinascita/Revival | Rebirth/Revival II

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Language: fr, pt, es, en, it

Published: Oct. 24, 2022

Keywords

Ditlev Blunck • Greek vases • Iconography • Pompeo Pozzi • Musée d’art et d’industrie • Henrik Hertz • Training of artists • École Stroganov • Milano • Art publishing • Travel diaries • Galleria De Cristoforis • Conventionalism • Art market • Danish Golden Age • Andalusia (Spain) • Stefano Borgia • Natalis Rondot • Arts décoratifs • Raphael • Erudition • Pedro de Sousa Holstein • Fortuna • Dutch Golden Age • Projects • Marco Minghetti • Art industriel • South Kensington Museum • Merchants • Florence • Stefano Bardini • Collecting • Genre painting • Editors • Dmitry Grigorovitch • Parisian Salons • Adolfo Venturi • Musée d’art industriel • Markets • Portugal • Connoisseurship • Genio dell’Indipendenza Nazionale • Antonio Canova • Giovanni Morelli • Antiquarian history • Giovanni Gherardo De Rossi • Antiquities market • Albert Küchler • Photography • Musée d’échantillons • Academy of Fine Arts • Architects • Historical Painting • History of architecture • Engraving • Wilhelm Bendz • 19th century Milan • Provenances • Ceramics • Giorgione • Société d’encouragement des arts • Romanticism • Luigi Valeriano Pozzi • Lombard primitives • Revival • Royal Gallery of Turin • Corrado Ricci • Art photography • Carlo Amoretti • Alexandre de Sousa Holstein • Frederik Christian Sibbern • Italian Risorgimento • Historical Romanticism • Renaissance • Civil function of the museum • History Painting • Cesare dell’Acqua • Seroux d’Agincourt

permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11

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