Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Mujer • España • Paisaje • Novelas • | Deformación artística • Contemporary Spanish literature • Aposiopesis • Editoria • | Benito Pérez Galdós • Narrative perspective • No ficción • Baroque • El dolor de los demás • Social science • Bernardo Atxaga • Cuban avant-garde • Galdós’ novels • Caballero Bonald • Romances of Chivalry • Rhetorical techniques • Landscape • True Crime • Literatura • Critica • Misogyny • Poetical discourse • Negros • Discurso • Borges • Puesta en perspectiva narrativa • Surrealism • Nonfiction • Miguel Ángel Hernández • | Inmigración • Misoginia • Negritud • Cultural hybridity • Letteratura ispanoamericana • Sociologia de la llengua • Negrismo • Ideology • Cinema • Publishing industry • Desert conquest • | Valerián de Hungría • Beauty • Lagunas textuales • Ideologia • Bellezza • Nacionalisme • | Italo Calvino • Figurativización • Immigrant • True crime • Inmigrante • | Bernardo Atxaga • | Assaig • | Castelao • Artistic deformation • Reticence • Técnicas retóricas • Dibuxos grabados • Surrealismo • Wilcock • Textual lacunas • Dialogo letterario • Mapuche myths • Paradox • Sociology of language • Spanish Republic • Identity • Ecología • Cuba vanguardias • Poesía • García Maroto • Identidad • Literature • Paradosso • | Literatura española contemporánea • Barroco • Social structure • Reticencia • Paralipsis • | Wilcock • Italo Calvino • Ecology • Poetry • Essay • Mitos mapuches • | Conquista del desierto • Criticism • El dolor los demás • Literary dialogues • Immigration • Nationalism • Women • Ciència social • Mise en abyme • Estructura social • Libri di cavalleria • Castelao • Hibridismo cultural • Hispano-American literature • Valerián de Hungría • Einaudi editore

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language es, it, ca

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