Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Técnicas retóricas • Barroco • Publishing industry • Baroque • Cuban avant-garde • Figurativización • Negrismo • Literature • Critica • | Assaig • Identidad • Poesía • Aposiopesis • Cultural hybridity • Dibuxos grabados • Social structure • Borges • Sociologia de la llengua • Italo Calvino • Poetry • Criticism • Castelao • | Conquista del desierto • Misogyny • Miguel Ángel Hernández • Landscape • Cinema • Reticence • Paralipsis • Ideology • Puesta en perspectiva narrativa • Artistic deformation • Rhetorical techniques • Desert conquest • Dialogo letterario • Hispano-American literature • Galdós’ novels • Caballero Bonald • Mise en abyme • Novelas • Spanish Republic • Hibridismo cultural • Paradosso • Sociology of language • Essay • El dolor los demás • Immigrant • | Bernardo Atxaga • Poetical discourse • Social science • Einaudi editore • Editoria • Negros • Women • Paradox • Narrative perspective • Mapuche myths • Textual lacunas • Letteratura ispanoamericana • Surrealism • | Wilcock • García Maroto • | Benito Pérez Galdós • Bernardo Atxaga • Wilcock • Inmigrante • Nonfiction • Ecología • Reticencia • El dolor de los demás • Immigration • Estructura social • | Castelao • Negritud • Contemporary Spanish literature • Surrealismo • Identity • Cuba vanguardias • Libri di cavalleria • Nacionalisme • | Inmigración • | Literatura española contemporánea • | Deformación artística • Romances of Chivalry • Beauty • Valerián de Hungría • Nationalism • True Crime • Discurso • Literary dialogues • True crime • Mitos mapuches • Lagunas textuales • No ficción • Ecology • Ciència social • | Valerián de Hungría • | Italo Calvino • Mujer • España • Literatura • Misoginia • Ideologia • Paisaje • Bellezza

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language it, es, ca

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