Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Journal issue | 25 | 2016

25 | 2016

open access | peer reviewed
Abstract

Keywords Venice • Grotesque • Jewish cemetery • Steve McQueen • Antiquarians • Venice’s Lido • Nature • Contemporary art • Howard Becker • Art market • Mediations • Damien Hirst • Entrepreneur • Exhibition • Fashion • Border crossing • Forgers • Material culture • Museum • Objects • Federico Pendasio • Ouverture • Identity formation • Sociology • Cultural policy • Realm of art • Giuseppe Mazzotti • Venetian Veduta • Douglas Gordon • Guardi • ‘The Store’ • Restoration • Consumer culture • Art worlds • Pirro Ligorio • Gatekeeper • History of dress • Visual arts • Gatekeepers • Claes Oldenburg • Art • Fashion studies • Michelangelo Muraro • Armstrong and Mitchell Cran • Caucasus • Photography • Venetian villas • Antonio Morassi • Intermediaries • Philosophy of art • Opera • Production • Individual • Osthoff • Art field • Early photography • Arsenale • Philosophical disenfranchisement • Cultural heritage of Venezia Giulia and Istria • Arthur Danto • History • Keeper • Pragmatism • Archival photographs • Academy • Gabriele Paleotti • Pierre Bourdieu • Industrial heritage • Curator • Gesture • Ulisse Aldrovandi

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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