Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Art • Forgers • Visual arts • Nature • Material culture • Arthur Danto • Gabriele Paleotti • Objects • Guardi • History • Ouverture • Identity formation • Early photography • Douglas Gordon • Art field • Restoration • Realm of art • Contemporary art • Academy • Individual • Steve McQueen • Howard Becker • Claes Oldenburg • Venetian Veduta • Philosophy of art • Antonio Morassi • Venetian villas • Pragmatism • Opera • Pirro Ligorio • Production • Industrial heritage • ‘The Store’ • Ulisse Aldrovandi • Antiquarians • Armstrong and Mitchell Cran • Fashion • Arsenale • Grotesque • Exhibition • Pierre Bourdieu • Jewish cemetery • Caucasus • Mediations • Federico Pendasio • Consumer culture • Art market • Photography • Entrepreneur • Michelangelo Muraro • Curator • Venice • Cultural policy • Philosophical disenfranchisement • Intermediaries • Sociology • Museum • Art worlds • Archival photographs • Fashion studies • Gesture • Damien Hirst • Border crossing • Cultural heritage of Venezia Giulia and Istria • Gatekeeper • Gatekeepers • Giuseppe Mazzotti • History of dress • Keeper • Venice’s Lido • Osthoff

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

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