Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Museum display • Volvinus • 1972 • Cathedral at Monza • Andri • Art workshops • Paggi • Woodcut • Medieval Apulia • Signature • 1968 • Byzantine epigraphy • Pino Pascali • Anonymity • Written culture • Memorial • Annunciation • Lorenzo Veneziano • Byzantine artist • Epigraphy • Galleria La Salita • Iconology • Inscription • Literacy • Romanesque (France) • Photography • Clinic • Illusion • Happening • Angilbertus • Soliani • Toponym • Samuel Beckett's Film • Tiziano • Museo Storico Navale • Permanence • Torre Astura • Morganatic Marriage • Jan van Eyck • Requiescat in Pace Corradinus • Parapet • Modern painting • Found Footage • Essay Film • Genoa • Intellectual • Authorship • Imperfect • Stories of Theodelinda • Rebus • Sanatorium • Invention of the Artist • Bacchanal • Parma • Archive Footage • Woodblocks • Arnolfini • Medieval Artist • Contemporary Art • Golden Altar • Zavattari • Art history • Medieval Epigraphy • Devotion • Faciebat • Gothic Venetian Painting • Duplication • Alighiero Boetti • Artists’ names • Self-staging • Edvard Munch

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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