Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Abramović • Gothic • Performance • 1960s radicalism • Biopolitic • Anna Moffo • Avant-garde • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Printmaking • Marcantonio Magno • Aesthetics and politics • Padua • Dance notations • Prospero Clemente • Puer mingens • Television • Pordenone • Saint Sebastian • Opera • Skin • Performance Art • Film • Russian ballet • Vanessa Beecroft • Galindo • Revolutionary avant-garde • Nicoletto da Modena • Fruition • Iconology • Female • Casts • Stage • Body movements • Devotion • Nijinsky • Ornamentation • Symbolism • Franciscan saints • Cult • Iconography • Drawing • La Salpêtrière • Soprano • Andrea Mantegna • Costume • Neo-avant-garde • Agamben • Body • Device • Models • Performer • Theatre and performance • Louvre • Dance • Emilia, Veneto • Illusion • Plague • Theatre

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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