Soglia | Threshold
open access | peer reviewedKeywords Porta clausa • Magiciens de la terre, Global Art, Global Art Hist • Vierge ouvrante • Split Cathedral • Disobedience Archive • Christological narrative • Missionary exhibitions • Choir stalls • Chiese veneziane • Renaissance perspective • Chinese collections • Bastiani, Monopoli, Puglia • Emilia-Romagna • Image-making • Urban views • William Henry Fox Talbot • Cain and Abel’s offering • Threshold • Temporality • Immagini sacre • Immersive art • Annunciation • Iconography • Missionary Collecting • Moving-image • Portali • hortus conclusus • Intarsia • Opening Madonna • Late medieval art • Frescoes • Genealogy • Museums • Reenactment • Iscrizioni • Visual identity • An-icon • Triumphal arch • Marin Sanudo • Threshold symbolism • Religious alterity • Medieval Dalmatia
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Forthcoming | Language en, fr, it
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