Soglia | Threshold
open access | peer reviewedKeywords Marin Sanudo • Portali • Cain and Abel’s offering • Opening Madonna • Threshold symbolism • William Henry Fox Talbot • Chinese collections • Chiese veneziane • Porta clausa • Bastiani, Monopoli, Puglia • Religious alterity • Iscrizioni • Temporality • Visual identity • hortus conclusus • Urban views • Reenactment • Vierge ouvrante • Late medieval art • Magiciens de la terre, Global Art, Global Art Hist • Split Cathedral • Medieval Dalmatia • Immagini sacre • Missionary exhibitions • Disobedience Archive • Iconography • Frescoes • An-icon • Renaissance perspective • Christological narrative • Genealogy • Image-making • Intarsia • Moving-image • Threshold • Immersive art • Annunciation • Museums • Choir stalls • Triumphal arch • Missionary Collecting • Emilia-Romagna
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language fr, en, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.