Quaderni di Venezia Arti

Collana | Quaderni di Venezia Arti
Volume 4 | Miscellanea | Taking and Denying

Taking and Denying

Challenging Canons in Arts and Philosophy
open access
    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Marble slab • Post-Impressionism • Art history and ethnography • Easel Painters’ Society • Speculative cinema • Italian Studies • Islamic architectural ornament • Art Nouveau • Islimi • Venturi • Christianism • Type-token distinction • Expressionism • Abstraction • Dmitry Zhilinsky • Interpretation • Central Asian architectural décor • Richard Wollheim • History of collections • Symbols • Artistic reception • Nostalgia • Post-media condition • Celebration of unity • Apocalypse • Modernism • Prophecy • Soviet painter • Influence • Medieval mosaic floor • Дмитрий Жилинский • Quattrocento • Pre-Columbian collections • Stucco • Miniature • Perception • Weimar art • ‘Motherland’ • Canon • Livre d’artiste • Timur Novikov • Parody • Soviet painting • Joseph Margolis • Tangible forms • Unity of West and East • Nicholas Roerich • Easel painting • Edwardian gift book • VKHUTEMAS • Woodcut • Non-European art exhibitions • Book illustration • ‘Peace’ • Formula similarity • Statics • Post-soviet art • Proto-Renaissance • Monumental painting • Soviet architectural décor • Pre-Columbian art • Peltae pattern • Print • Italian painting • Bouchot • Museum of Painterly Culture • Art ontology • Artie Vierkant • Allegory of Russia • Eugene Lanceray • Girikh • Berlin Dada • 15th century • Project Method – Dynamics • YouTube • Reception • Nineteenth-century editions • Roger Fry • Nineteenth-century France • Contemporary Soviet Art • Post-soviet society • Kazan railway station • Art ‘before Raphael’ • Religion • Systems • National style • New Objectivity • Russian art • Non finito • Visual perception • Allegory for peace • Academicism • Postcolonial studies • Dogma • Shape of water • Film studies • Gunch • Old masters • Compositional axes • Videographic criticism

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua it, ru, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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