Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Interpretation • Art Nouveau • Print • Videographic criticism • ‘Motherland’ • Medieval mosaic floor • Easel Painters’ Society • Pre-Columbian collections • Art history and ethnography • Post-media condition • Expressionism • Old masters • Type-token distinction • Nostalgia • Contemporary Soviet Art • New Objectivity • Modernism • Shape of water • Peltae pattern • Post-soviet art • Venturi • 15th century • Artie Vierkant • Perception • Symbols • Speculative cinema • Religion • VKHUTEMAS • Stucco • Post-Impressionism • Central Asian architectural décor • Museum of Painterly Culture • Proto-Renaissance • Art ontology • Tangible forms • Дмитрий Жилинский • Kazan railway station • Islimi • Post-soviet society • Monumental painting • Quattrocento • Canon • Postcolonial studies • Dmitry Zhilinsky • Nicholas Roerich • Easel painting • Timur Novikov • ‘Peace’ • YouTube • Eugene Lanceray • Berlin Dada • Allegory of Russia • Allegory for peace • Pre-Columbian art • Formula similarity • Roger Fry • Girikh • Christianism • National style • Non-European art exhibitions • History of collections • Systems • Soviet painter • Nineteenth-century France • Dogma • Abstraction • Film studies • Visual perception • Project Method – Dynamics • Nineteenth-century editions • Academicism • Gunch • Unity of West and East • Parody • Artistic reception • Reception • Celebration of unity • Edwardian gift book • Statics • Joseph Margolis • Livre d’artiste • Compositional axes • Miniature • Non finito • Woodcut • Bouchot • Book illustration • Russian art • Weimar art • Art ‘before Raphael’ • Richard Wollheim • Prophecy • Soviet architectural décor • Italian Studies • Islamic architectural ornament • Soviet painting • Apocalypse • Influence • Marble slab • Italian painting

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua ru, en, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.