Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Tangible forms • Apocalypse • Post-Impressionism • Prophecy • Expressionism • Type-token distinction • Postcolonial studies • Film studies • Joseph Margolis • Museum of Painterly Culture • Artie Vierkant • Non finito • Visual perception • VKHUTEMAS • Christianism • Dmitry Zhilinsky • Marble slab • Videographic criticism • Nineteenth-century France • Edwardian gift book • Compositional axes • Livre d’artiste • Italian painting • Art Nouveau • Statics • Allegory for peace • Formula similarity • Stucco • Print • Дмитрий Жилинский • Timur Novikov • Central Asian architectural décor • Easel painting • Dogma • Interpretation • Systems • Italian Studies • Allegory of Russia • Non-European art exhibitions • ‘Motherland’ • Unity of West and East • Venturi • Soviet painting • 15th century • Islamic architectural ornament • Quattrocento • Post-soviet society • Art ‘before Raphael’ • Bouchot • Art ontology • Monumental painting • Medieval mosaic floor • ‘Peace’ • Shape of water • Nicholas Roerich • Islimi • Parody • Pre-Columbian collections • Proto-Renaissance • Canon • Post-media condition • Religion • Post-soviet art • Miniature • Artistic reception • Eugene Lanceray • Abstraction • Contemporary Soviet Art • Weimar art • Nineteenth-century editions • Girikh • History of collections • Reception • Richard Wollheim • Old masters • Easel Painters’ Society • Soviet painter • Soviet architectural décor • Symbols • Pre-Columbian art • Gunch • Nostalgia • New Objectivity • Kazan railway station • Celebration of unity • Perception • YouTube • Book illustration • Berlin Dada • Russian art • Modernism • Woodcut • Art history and ethnography • Speculative cinema • Peltae pattern • Roger Fry • Project Method – Dynamics • Influence • National style • Academicism

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua en, ru, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.