Collana |
Biblioteca di Rassegna iberistica
Miscellanea | La traducción del teatro clásico español (siglos XIX-XXI)
Capitolo | La traducción del teatro áureo en Italia, desde el siglo XIX hasta nuestros días
La traducción del teatro áureo en Italia, desde el siglo XIX hasta nuestros días
Constantes y variables en la formación de un canon
- Fausta Antonucci - Università degli Studi Roma Tre, Italia - email
Abstract
This essay aims to provide an overview of the Italian translations of Spanish Golden Age theatre from the 19th century to the present, identifying above all the differences in the approach to Spanish texts compared to previous centuries and the distinctive features of each historical-cultural period within this long span of time. Romantic translations (a period marked by the great collections of theatrical texts by Monti and La Cecilia) were characterised by their marked preference for religious and honour-based dramas and for the works of Calderón; while the 20th century saw a general reworking of the corpus of translated texts, with a stable presence of Calderón and the recovery of the dramas on peasant honour by Lope de Vega. The emergence and affirmation of the poetic translation is highlighted, from the early experiments of the 1920s to the general acceptance of our days, and the role hispanists and writers played in this choice. An analysis of the corpus of translation collections in the 20th and 21st centuries, as well as of the many individual translations, also shows how the canon of the Spanish Golden Age theatre has changed both on the academic and editorial side.
Presentato: 22 Giugno 2020 | Accettato: 24 Agosto 2020 | Pubblicato 22 Dicembre 2020 | Lingua: es
Keywords Canon • Tirso de Molina • Italian translations • Spanish Golden Age Theater • Lope de Vega • Translation story • Calderón de la Barca
Copyright © 2020 Fausta Antonucci. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-490-5/003
- Presentación
- Claudia Demattè, Eugenio Maggi, Marco Presotto
- 22 Dicembre 2020
Panoramas
- Panoramas
- Marco Presotto
- 22 Dicembre 2020
-
La traducción del teatro áureo en Italia, desde el siglo XIX hasta nuestros días
Constantes y variables en la formación de un canon - Fausta Antonucci
- 22 Dicembre 2020
- Las traducciones francesas del teatro español del Siglo de Oro (siglos XIX-XXI)
- Christophe Couderc
- 22 Dicembre 2020
-
El teatro clásico español en Alemania
Cuatro siglos y veinte años de recepción - Simon Kroll
- 22 Dicembre 2020
- La traducción del teatro clásico español al inglés
- Jonathan Thacker
- 22 Dicembre 2020
-
Los vaivenes del canon
Traducción y puesta en escena de la comedia áurea en Rusia - Veronika Ryjik
- 22 Dicembre 2020
-
En torno a la paradójica recepción del teatro de Lope de Vega en Polonia
Traducciones, representaciones y comentarios críticos - Urszula Aszyk
- 22 Dicembre 2020
- El hispanismo rumano y la traducción del teatro clásico español
- Oana Sambrian
- 22 Dicembre 2020
-
Traducciones del teatro español del Siglo de Oro al lituano
Breve repaso histórico - Marta Plaza Velasco
- 22 Dicembre 2020
-
La presencia del teatro clásico español en el mundo árabe
Entrevista con Zidan Abdel-Halim Zidan (Universidad de Al Azhar, El Cairo) - Marco Presotto
- 22 Dicembre 2020
Las traducciones
- Las traducciones
- Claudia Demattè
- 22 Dicembre 2020
- Las traducciones de teatro español en la Biblioteca Digital EMOTHE
- Jesús Tronch
- 22 Dicembre 2020
-
En busca del príncipe polaco calderoniano
Las traducciones de La vida es sueño de Pedro Calderón de la Barca y la presencia del teatro clásico español en Polonia - Beata Baczyńska
- 22 Dicembre 2020
-
La vida es sueño en lituano
Traducción para la escena - Carmen Caro Dugo
- 22 Dicembre 2020
- El Burlador y la perspectiva traductológica moderna
- Francesca Leonetti
- 22 Dicembre 2020
-
Las dos traducciones de El purgatorio de San Patricio por Denis Florence MacCarthy (1853 y 1873)
Primeras calas - Eugenio Maggi
- 22 Dicembre 2020
-
Pietro Monti y el teatro del Siglo de Oro
Estrategias de traducción del humor - Elena Marcello
- 22 Dicembre 2020
- Il cane dell’ortolano de Lope de Vega según Ameyden, Gasparetti y Fiorellino
- Marcella Trambaioli
- 22 Dicembre 2020
Las experiencias
- Las experiencias
- Eugenio Maggi
- 22 Dicembre 2020
- Traducir a Lope: El acero de Madrid
- Nadine Ly
- 22 Dicembre 2020
-
Traducir comedias de Lope al italiano
De Las bizarrías de Belisa a L’audace Belisa - Katerina Vaiopoulos
- 22 Dicembre 2020
- Treinta y cinco años traduciendo a Calderón
- Erik Coenen
- 22 Dicembre 2020
-
La vida es sueño en forma analógica
Teoría, metodología y recepción de la traducción a contrapelo - Gregary J. Racz
- 22 Dicembre 2020
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_4116 |
|
dc.contributor.author |
Antonucci Fausta |
|
dc.title |
La traducción del teatro áureo en Italia, desde el siglo XIX hasta nuestros días. Constantes y variables en la formación de un canon |
|
dc.type |
Capitolo |
|
dc.language.iso |
es |
|
dc.description.abstract |
This essay aims to provide an overview of the Italian translations of Spanish Golden Age theatre from the 19th century to the present, identifying above all the differences in the approach to Spanish texts compared to previous centuries and the distinctive features of each historical-cultural period within this long span of time. Romantic translations (a period marked by the great collections of theatrical texts by Monti and La Cecilia) were characterised by their marked preference for religious and honour-based dramas and for the works of Calderón; while the 20th century saw a general reworking of the corpus of translated texts, with a stable presence of Calderón and the recovery of the dramas on peasant honour by Lope de Vega. The emergence and affirmation of the poetic translation is highlighted, from the early experiments of the 1920s to the general acceptance of our days, and the role hispanists and writers played in this choice. An analysis of the corpus of translation collections in the 20th and 21st centuries, as well as of the many individual translations, also shows how the canon of the Spanish Golden Age theatre has changed both on the academic and editorial side. |
|
dc.relation.ispartof |
Biblioteca di Rassegna iberistica |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2020-12-22 |
|
dc.dateAccepted |
2020-08-24 |
|
dc.dateSubmitted |
2020-06-22 |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-491-2/la-traduccion-del-teatro-aureo-en-italia-desde-el/ |
|
dc.identifier.doi |
10.30687/978-88-6969-490-5/003 |
|
dc.identifier.issn |
2610-8844 |
|
dc.identifier.eissn |
2610-9360 |
|
dc.identifier.isbn |
978-88-6969-491-2 |
|
dc.identifier.eisbn |
978-88-6969-490-5 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
Calderón de la Barca |
|
dc.subject |
Calderón de la Barca |
|
dc.subject |
Canon |
|
dc.subject |
Canon |
|
dc.subject |
Italian translations |
|
dc.subject |
Italian translations |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Spanish Golden Age Theater |
|
dc.subject |
Spanish Golden Age Theater |
|
dc.subject |
Tirso de Molina |
|
dc.subject |
Tirso de Molina |
|
dc.subject |
Translation story |
|
dc.subject |
Translation story |
| Download data |