Library of Rassegna iberistica

El teatro clásico español y su traducción entre texto literario y práctica escénica

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open access | peer reviewed

Abstract
The book reflects on translating Golden Age theater in the contemporary era. Following the publication of the project’s founding volume in 2020, a diverse group of scholars focuses here on theoretical aspects and unique case studies. They explore new perspectives on the relationship between translation work, the demands of performative texts, and cultural dissemination in a global context.

Keywords Twentieth century Italian translations • Lembit Peterson • August Sang • Homopoetics • La Duchessa di Urbino • Literary canon • The mimic method • Translation canon • Staging • Surtitles • El mejor alcalde, el rey • Verse translation • Gherardo Marone • Stage performance • Raffaello Melani • La boba para los otros y discreta para sí • David Johnston • Adaptation • Metre • Reception • Theatre translation • Estonia • Cervantes • Diversifying the Classics • Antoine Berman • Dramaturgy • Jean-Michel Déprats • Spanish Golden Age drama • Alterité • Hispanism • Heteropoetics • Ain Kaalep • L’audace Belisa • Lope de Vega • Literature • Entremeses • Lawrence Venuti • Sigismund’s lament • Translation • Il miglior giudice è il re • Accessibility • Le bizzarrie di Belisa • Russia • Ruggero Jacobbi • Friedrich Schleiermacher • Onomastics • Orazio Costa’s theatrical production • Fidelity • Retranslation • Poetic translation • Rhyme • The translation of Enrica Cancelliere • Translating theatre • Foreignizing • Translation theory • Verbal humour • Golden Age theater • Spanish classical theatre • Subtitles • Intercultural reception • La vida es sueño • Puns and jokes • George Steiner

Thema codes CFP • ATD • DSB • 2ADS

Permalink http://doi.org/10.30687/978-88-6969-948-1 | e-ISBN 978-88-6969-948-1 | Published Oct. 27, 2025 | Language en, es