Library of Rassegna iberistica

El teatro clásico español y su traducción entre texto literario y práctica escénica

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open access | peer reviewed

Abstract
The book reflects on translating Golden Age theater in the contemporary era. Following the publication of the project’s founding volume in 2020, a diverse group of scholars focuses here on theoretical aspects and unique case studies. They explore new perspectives on the relationship between translation work, the demands of performative texts, and cultural dissemination in a global context.

Keywords Puns and jokes • Stage performance • Hispanism • Homopoetics • Onomastics • August Sang • Golden Age theater • David Johnston • Literature • Subtitles • Friedrich Schleiermacher • Russia • The mimic method • Theatre translation • Spanish Golden Age drama • Translation canon • La boba para los otros y discreta para sí • George Steiner • Translating theatre • Foreignizing • Heteropoetics • Estonia • Orazio Costa’s theatrical production • Jean-Michel Déprats • La Duchessa di Urbino • Literary canon • Ain Kaalep • Fidelity • Metre • Le bizzarrie di Belisa • Antoine Berman • Twentieth century Italian translations • Lawrence Venuti • Surtitles • Ruggero Jacobbi • Rhyme • Adaptation • Staging • Sigismund’s lament • Spanish classical theatre • Raffaello Melani • Cervantes • Accessibility • Lope de Vega • Entremeses • Translation theory • Alterité • Intercultural reception • L’audace Belisa • Verbal humour • Lembit Peterson • Il miglior giudice è il re • The translation of Enrica Cancelliere • Retranslation • Poetic translation • La vida es sueño • El mejor alcalde, el rey • Translation • Verse translation • Gherardo Marone • Dramaturgy • Reception • Diversifying the Classics

Thema codes CFP • ATD • DSB • 2ADS

Permalink http://doi.org/10.30687/978-88-6969-948-1 | e-ISBN 978-88-6969-948-1 | Published Oct. 27, 2025 | Language es, en