Library of Rassegna iberistica

El teatro clásico español y su traducción entre texto literario y práctica escénica

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open access | peer reviewed

Abstract
The book reflects on translating Golden Age theater in the contemporary era. Following the publication of the project’s founding volume in 2020, a diverse group of scholars focuses here on theoretical aspects and unique case studies. They explore new perspectives on the relationship between translation work, the demands of performative texts, and cultural dissemination in a global context.

Keywords LiteratureJean-Michel DépratsRhymeAntoine BermanLa vida es sueñoGeorge SteinerRuggero JacobbiSpanish Golden Age dramaTranslating theatreAlteritéCervantesOrazio Costa’s theatrical productionMetreReceptionHomopoeticsSpanish classical theatreLembit PetersonLope de VegaThe mimic methodTheatre translationOnomasticsEl mejor alcalde, el reyPuns and jokesRetranslationDiversifying the ClassicsIntercultural receptionDramaturgyL’audace BelisaHeteropoeticsTranslation theoryDavid JohnstonStage performanceThe translation of Enrica CancelliereAugust SangEstoniaLe bizzarrie di BelisaAin KaalepAccessibilityTwentieth century Italian translationsAdaptationGherardo MaroneVerbal humourFidelityForeignizingIl miglior giudice è il reLa boba para los otros y discreta para síRaffaello MelaniSurtitlesEntremesesLiterary canonSigismund’s lamentLa Duchessa di UrbinoTranslationStagingGolden Age theaterSubtitlesHispanismPoetic translationRussiaTranslation canonVerse translationFriedrich SchleiermacherLawrence Venuti

Thema codes CFPATDDSB2ADS

Permalink http://doi.org/10.30687/978-88-6969-948-1 | e-ISBN 978-88-6969-948-1 | Published Oct. 27, 2025 | Language es, en