El teatro clásico español y su traducción entre texto literario y práctica escénica
open access | peer reviewed
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edited by
- Claudia Demattè - Università degli Studi di Trento, Italia - email
- Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
- Marco Presotto - Università degli Studi di Trento, Italia - email
Abstract
The book reflects on translating Golden Age theater in the contemporary era. Following the publication of the project’s founding volume in 2020, a diverse group of scholars focuses here on theoretical aspects and unique case studies. They explore new perspectives on the relationship between translation work, the demands of performative texts, and cultural dissemination in a global context.
Keywords Metre • Homopoetics • Theatre translation • Onomastics • Alterité • Entremeses • Staging • Spanish classical theatre • Sigismund’s lament • Lembit Peterson • Ain Kaalep • George Steiner • La vida es sueño • Diversifying the Classics • August Sang • Gherardo Marone • Literary canon • Translation • Stage performance • Translating theatre • Jean-Michel Déprats • Adaptation • Reception • Verbal humour • Retranslation • Intercultural reception • Heteropoetics • Orazio Costa’s theatrical production • Lawrence Venuti • Antoine Berman • Golden Age theater • Il miglior giudice è il re • Literature • La boba para los otros y discreta para sí • Fidelity • Lope de Vega • Estonia • Twentieth century Italian translations • L’audace Belisa • Ruggero Jacobbi • Spanish Golden Age drama • Translation theory • The mimic method • The translation of Enrica Cancelliere • Verse translation • Poetic translation • Russia • Cervantes • Le bizzarrie di Belisa • El mejor alcalde, el rey • Dramaturgy • La Duchessa di Urbino • Translation canon • Friedrich Schleiermacher • Raffaello Melani • Accessibility • Surtitles • Foreignizing • Puns and jokes • Rhyme • Hispanism • David Johnston • Subtitles
Permalink http://doi.org/10.30687/978-88-6969-948-1 | e-ISBN 978-88-6969-948-1 | Published Oct. 27, 2025 | Language es, en
Copyright © 2025 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.