Library of Rassegna iberistica

El teatro clásico español y su traducción entre texto literario y práctica escénica

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open access | peer reviewed

Abstract
The book reflects on translating Golden Age theater in the contemporary era. Following the publication of the project’s founding volume in 2020, a diverse group of scholars focuses here on theoretical aspects and unique case studies. They explore new perspectives on the relationship between translation work, the demands of performative texts, and cultural dissemination in a global context.

Keywords George SteinerLiterary canonLe bizzarrie di BelisaDavid JohnstonHeteropoeticsSpanish classical theatreRetranslationStagingDramaturgyEstoniaAntoine BermanLope de VegaRaffaello MelaniGolden Age theaterSubtitlesRuggero JacobbiThe mimic methodAin KaalepSigismund’s lamentTranslating theatreTranslation canonOrazio Costa’s theatrical productionDiversifying the ClassicsVerse translationTranslationEl mejor alcalde, el reyAugust SangL’audace BelisaTheatre translationOnomasticsLiteratureHomopoeticsJean-Michel DépratsPuns and jokesRussiaSpanish Golden Age dramaVerbal humourLa boba para los otros y discreta para síHispanismAccessibilityIl miglior giudice è il reAlteritéLa vida es sueñoFriedrich SchleiermacherGherardo MaroneSurtitlesTranslation theoryCervantesLawrence VenutiLa Duchessa di UrbinoRhymeFidelityReceptionEntremesesStage performanceIntercultural receptionAdaptationForeignizingTwentieth century Italian translationsMetreThe translation of Enrica CancellierePoetic translationLembit Peterson

Thema codes CFPATDDSB2ADS

Permalink http://doi.org/10.30687/978-88-6969-948-1 | e-ISBN 978-88-6969-948-1 | Published Oct. 27, 2025 | Language en, es