Point Cloud to Sound Cloud
Digital Innovation and Historic Sound at Linlithgow Palace
Abstract
The Space, Place, Sound, and Memory: Immersive Experiences of the Past project was led by dr James Cook, in collaboration with the Digital Documentation and Innovation team at Historic Environment Scotland, Soluis Heritage, the Binchois Consort, and scholars at the universities of Birmingham and Melbourne. It used cutting-edge technology to reconstruct the visuals and acoustics of Linlithgow Palace chapel, before situating reconstructions of liturgical music within it. Beginning with HES’ 3D scan of the chapel, the project then used archival, archaeological, and musicological research to bring to life the sights and sounds of the 16th-century chapel. This chapter explores how Digital Documentation can be harnessed in the production of innovative interpretation and research material.
Submitted: July 22, 2022 | Accepted: Oct. 18, 2022 | Published Dec. 16, 2022 | Language: en
Keywords Interpretation • 3D • Music • Virtual • Digital heritage • Laser scanning • Linlithgow Palace • Archaeological • Acoustic • Reconstruction • Technology • Digital documentation • 3d model • 16th century • Audio • Virtual reality • Chapel • Sound • Musicological
Subtags 3d data Visualisation Monuments Communication Technology Works of Art Modelling Audio-visual data Preservation Image data
Copyright © 2022 James Cook, Sophia Mirashrafi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/mag/2724-3923/2022/06/001