Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Portraits • Galleria Manfrin • Posthumanism • Architectural drawing • Cornelis De Bie • Drawing instruments • Seicento painting • Book Collecting • Dance • Software • Venice • Flemish Sources • Medallions • Technology • Cyborg • Contemporary Art • Mutation • Abstraction • Pieter Boel • Print Collecting • Neoplatonism • Eighteenth century • Landscape • Poussin • Het Gulden Cabinet • Recipes • Diagram • Science Treatises • Planisphere • Ideography • Bologna, gentry (XVI-XVII cent • David De Coninck • Mathematics • New media art • Hybrid space • Digital image • Security • Theriomorphism • Francesco Noletti • Still Life in Italy • Hybridisation • Linear perspective • Writing • Biographical Cameos • Neapolitan Collections • Ornament • Gesture • Computer art • Bologna, accademia dei Gelati • Pastel practice • Electronic disobedience • Paintings • Anthropocene • Italian Art Literature • Proportions • Renaissance • Scenography • Zaccolini • Ownership marks • Alterity • Michelangelo Cerquozzi • Pigments • Tactical media • Mario dei Fiori • Form • Manfrin, Girolamo • Art • Busts • Russian Avant-garde • Viral • Cryptography • Anamorphosis • Science • Rayonism • Movement • Vitruvius • Mikhail Larionov • Light and shadow • Scientific knowledge • Grechetto • Optics • Infection • )

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language en, fr, it

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