Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Diagram • Tactical media • Recipes • Ownership marks • Pieter Boel • Form • Manfrin, Girolamo • Busts • Renaissance • Alterity • Portraits • Print Collecting • Still Life in Italy • Poussin • Rayonism • Pigments • Paintings • Linear perspective • Seicento painting • Theriomorphism • Russian Avant-garde • David De Coninck • Cyborg • Neapolitan Collections • Anamorphosis • Electronic disobedience • Art • Book Collecting • Bologna, accademia dei Gelati • Neoplatonism • Mathematics • Mutation • Optics • Digital image • Grechetto • Technology • Cryptography • Bologna, gentry (XVI-XVII cent • Vitruvius • Viral • Abstraction • Anthropocene • Michelangelo Cerquozzi • Mario dei Fiori • Het Gulden Cabinet • Posthumanism • Scenography • Dance • Cornelis De Bie • Planisphere • Gesture • Pastel practice • Ornament • Hybrid space • Hybridisation • Biographical Cameos • Security • Eighteenth century • Ideography • Infection • Italian Art Literature • Light and shadow • Mikhail Larionov • Galleria Manfrin • Architectural drawing • Zaccolini • Venice • Writing • Francesco Noletti • Contemporary Art • Proportions • Science Treatises • ) • Computer art • Scientific knowledge • Drawing instruments • Flemish Sources • Software • Landscape • Medallions • New media art • Movement • Science

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, it, en

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