Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Grechetto • Venice • Print Collecting • Francesco Noletti • Pigments • Rayonism • Portraits • Posthumanism • Theriomorphism • Viral • Mathematics • Digital image • Ornament • Drawing instruments • Infection • Linear perspective • Mikhail Larionov • Science Treatises • Cornelis De Bie • Mario dei Fiori • Recipes • Seicento painting • New media art • Eighteenth century • Vitruvius • Light and shadow • Zaccolini • Anamorphosis • Cyborg • Proportions • Cryptography • Busts • ) • Dance • Alterity • Italian Art Literature • Bologna, gentry (XVI-XVII cent • Ideography • Scenography • Biographical Cameos • Scientific knowledge • Ownership marks • Still Life in Italy • Mutation • Pieter Boel • Contemporary Art • Russian Avant-garde • Optics • Planisphere • Het Gulden Cabinet • Medallions • Tactical media • Abstraction • Software • Flemish Sources • Computer art • Renaissance • Art • Hybrid space • Neapolitan Collections • Science • Bologna, accademia dei Gelati • Pastel practice • Movement • Architectural drawing • Poussin • Electronic disobedience • Galleria Manfrin • Gesture • Paintings • Neoplatonism • Hybridisation • Security • Form • Landscape • Michelangelo Cerquozzi • David De Coninck • Technology • Diagram • Writing • Manfrin, Girolamo • Book Collecting • Anthropocene

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.