Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Mikhail Larionov • Theriomorphism • Scientific knowledge • Grechetto • Scenography • Gesture • Anthropocene • Pigments • Mutation • Bologna, gentry (XVI-XVII cent • Hybrid space • Hybridisation • Viral • Technology • Portraits • Proportions • Posthumanism • Zaccolini • Neoplatonism • Ornament • Form • Seicento painting • Galleria Manfrin • Manfrin, Girolamo • Recipes • Dance • Electronic disobedience • Neapolitan Collections • Software • Mathematics • Vitruvius • Still Life in Italy • Renaissance • Writing • Architectural drawing • Michelangelo Cerquozzi • Drawing instruments • Cryptography • Tactical media • Paintings • Russian Avant-garde • Ownership marks • David De Coninck • Diagram • Art • Biographical Cameos • Rayonism • Poussin • Busts • Ideography • Optics • Venice • Book Collecting • Abstraction • Medallions • Contemporary Art • Cyborg • Pieter Boel • Alterity • Bologna, accademia dei Gelati • Light and shadow • Flemish Sources • Anamorphosis • Movement • Francesco Noletti • Computer art • Het Gulden Cabinet • Science Treatises • Security • Pastel practice • Cornelis De Bie • Mario dei Fiori • Landscape • Planisphere • ) • New media art • Infection • Linear perspective • Print Collecting • Science • Digital image • Eighteenth century • Italian Art Literature

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language en, fr, it

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