Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Monographic journal issue | 29 | 2020

Art and Science

open access | peer reviewed

Keywords Alterity • Bologna, gentry (XVI-XVII cent • Drawing instruments • Anamorphosis • Flemish Sources • Seicento painting • Grechetto • Biographical Cameos • Proportions • Ornament • Security • Neapolitan Collections • Ownership marks • Pigments • Art • Posthumanism • Linear perspective • Galleria Manfrin • Theriomorphism • Neoplatonism • Italian Art Literature • Vitruvius • Pieter Boel • Electronic disobedience • Paintings • Mutation • Eighteenth century • New media art • Dance • Hybrid space • Form • Het Gulden Cabinet • Viral • Pastel practice • Tactical media • Mathematics • Mario dei Fiori • Optics • Science Treatises • Anthropocene • Infection • Book Collecting • Venice • Renaissance • Scenography • Landscape • Busts • Portraits • Movement • Cornelis De Bie • Software • Light and shadow • Contemporary Art • Writing • Medallions • Gesture • Scientific knowledge • Hybridisation • Digital image • Recipes • Cryptography • David De Coninck • Diagram • Architectural drawing • Technology • Bologna, accademia dei Gelati • Abstraction • Planisphere • Michelangelo Cerquozzi • Still Life in Italy • Computer art • Zaccolini • Rayonism • Russian Avant-garde • Ideography • Science • ) • Manfrin, Girolamo • Mikhail Larionov • Print Collecting • Poussin • Francesco Noletti • Cyborg

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, it, en

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