Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Ownership marks • New media art • Ornament • Anthropocene • Vitruvius • Cornelis De Bie • Bologna, accademia dei Gelati • Ideography • Electronic disobedience • Pigments • Form • Pastel practice • Mathematics • Paintings • Medallions • Architectural drawing • David De Coninck • Pieter Boel • Light and shadow • Busts • Optics • Software • Scientific knowledge • Venice • Francesco Noletti • Drawing instruments • Neoplatonism • Het Gulden Cabinet • Digital image • ) • Movement • Tactical media • Mutation • Alterity • Gesture • Renaissance • Diagram • Proportions • Linear perspective • Infection • Grechetto • Science Treatises • Landscape • Still Life in Italy • Anamorphosis • Recipes • Security • Poussin • Flemish Sources • Art • Rayonism • Dance • Michelangelo Cerquozzi • Print Collecting • Scenography • Italian Art Literature • Seicento painting • Computer art • Technology • Galleria Manfrin • Cyborg • Portraits • Book Collecting • Mikhail Larionov • Planisphere • Theriomorphism • Biographical Cameos • Hybrid space • Cryptography • Eighteenth century • Viral • Abstraction • Bologna, gentry (XVI-XVII cent • Contemporary Art • Mario dei Fiori • Zaccolini • Hybridisation • Writing • Neapolitan Collections • Posthumanism • Science • Manfrin, Girolamo • Russian Avant-garde

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language it, fr, en

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