Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Mario dei Fiori • Software • Italian Art Literature • Anamorphosis • Linear perspective • Mutation • Neoplatonism • Diagram • Renaissance • Science • ) • Hybridisation • Ideography • Busts • Biographical Cameos • Scenography • Het Gulden Cabinet • Landscape • Drawing instruments • Russian Avant-garde • Hybrid space • Francesco Noletti • Art • Pigments • Viral • Computer art • Cyborg • Grechetto • Rayonism • Science Treatises • Electronic disobedience • Zaccolini • Michelangelo Cerquozzi • Technology • Cornelis De Bie • Alterity • Form • Abstraction • Manfrin, Girolamo • Neapolitan Collections • Movement • Gesture • David De Coninck • Portraits • Vitruvius • Tactical media • Paintings • Architectural drawing • Digital image • Contemporary Art • Medallions • Anthropocene • Bologna, accademia dei Gelati • Writing • Galleria Manfrin • Pieter Boel • Theriomorphism • Scientific knowledge • Posthumanism • Optics • Seicento painting • Book Collecting • New media art • Ownership marks • Dance • Proportions • Security • Planisphere • Poussin • Eighteenth century • Recipes • Still Life in Italy • Cryptography • Print Collecting • Bologna, gentry (XVI-XVII cent • Mikhail Larionov • Mathematics • Venice • Ornament • Pastel practice • Light and shadow • Flemish Sources • Infection

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language it, en, fr

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