Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Photography • Medici’s dynasty • Copy/original • Collecting • Performance • ‘Second original’ • Daniel Arasse • Details • Farsetti, Daniele • Titian • Venice • Dance • Diana and Callisto • Ovid’s Metamorphoses • Race • Multiples • Ephemerality • Muletti, Sebastiano • Painting • Italian art literature • Copy • Collective work • Museum Studies • Punctum/studium • Fake • Score • Postmodern dance • Geometric dance • Programmed art • Seriality • History of collecting • Originality • Contemporary art • Art copies • Contemporary dance • Ottoman Sultans • Portraits • Hamburger Faksimile-Streit • Aura • Gradenigo, Pietro • Originals/Copies • Copyright law • Theory • Paintings collecting • Eighteenth century • Filippo Baldinucci • Rubens • Copying • Reconstruction • Farsetti Collection • Visual semiotics • Weimar Art Theory • Original • Paolo Giovio • Guardi, Antonio • Re-enactment • Letters • Museum • Theory of art • Alexander Dorner • Open work

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

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