Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Farsetti, Daniele • Diana and Callisto • Theory • Contemporary art • History of collecting • Copy/original • Fake • Multiples • Visual semiotics • Copy • Performance • Copyright law • Venice • Dance • Museum • Contemporary dance • Letters • Originals/Copies • Copying • Punctum/studium • Race • Details • Photography • Art copies • Collecting • Ephemerality • Portraits • Museum Studies • Aura • Eighteenth century • Hamburger Faksimile-Streit • Originality • Painting • Alexander Dorner • Medici’s dynasty • Muletti, Sebastiano • Paintings collecting • Rubens • Farsetti Collection • Weimar Art Theory • Collective work • Programmed art • Daniel Arasse • Gradenigo, Pietro • Postmodern dance • Geometric dance • Original • Open work • Guardi, Antonio • Paolo Giovio • Re-enactment • Reconstruction • Seriality • Italian art literature • Theory of art • Score • ‘Second original’ • Ottoman Sultans • Titian • Filippo Baldinucci • Ovid’s Metamorphoses

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

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