Cross-Pollination: Art, Contamination and Hybridisation from the Middle Ages to the Present
open access | peer reviewedKeywords Marian iconography • Platytera • Seventies • Collettivo Donne Fotoreporter • Teoria della stampa • Art Publishing • Medieval art • Giovanni Fontana Fine technology • Giovanni Pastrone • Education • Canaletto • Cupole • Mark Tobey • Photography • American abstract expressionism • Noblemen • Editoria veneziana • Gender role • Pilgrimage • Giambattista Pasquali • Italy • Jacqueline de Jong • Phiale • Feminism • Asger Jorn • Amateurs • Cabiria • Automatic fountains • Gerolamo Imperiale • Carlo Fontana • Artists’ Periodicals • Antonio Visentini • Situlogy • Naples • Hysteria • Medieval painting • Padula • Atlas • Incisione • Cultural hybridization • Ludovico Antonio David • Iconography • Angevin • Correggio • Masters of drawing • Teng Baiye • Aphrodite hoplismene • Chinese ink painting • Hydraulic devices • Clipeo
Permalink http://doi.org/10.30687/VA/2385-2720/2024/01 | Published Dec. 9, 2024 | Language en, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.