Antiquity Studies

Paulo maiora canamus

Collection of Studies for Paolo Mastandrea

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open access | peer reviewed
    edited by
  • Massimo Manca - Università degli Studi di Torino, Italia - email
  • Martina Venuti - Università Ca’ Foscari Venezia, Italia - email

Abstract

This miscellaneous volume in honour of Paolo Mastandrea includes contributions by colleagues and friends dealing with some of the main topics of his scientific interests: intertextuality, late Latin studies, philological problems, the legacy of Classics in Renaissance, digital humanities. The first section, «Literary History and Intertextuality», focuses on special patterns in Latin literature within a very wide chronological range, from Vergil to Optatianus. Specific attention is dedicated to elegy and to mythological characters in elegy and tragedy. The section named «Philological Notes» deals with critical problems within texts by Sallustius, Macrobius and Historia Augusta. The following section, «Late Latin studies», is dedicated to several authors and topics: Simphosius’ Aenigmata, Sidonius, Historia Augusta, Claudianus, Epigrammata Bobiensia, Johannes Lydus and literary topoi used in late Latin texts. The final one, «Classical Reception Studies», examines a few examples of the legacy of Latin authors in the Italian Renaissance. A history of the database Musisque Deoque, along with the future perspectives of this crucial project designed in 2005 by Paolo Mastandrea, are provided in a specific «Appendix».

Keywords Aratus • Ovid • Bucolics • Fables • Classical philology • Classical literature • Open data • Fortleben of Classics • Catabasis • Style • Christian literature • Tibullus • Tales • Medea • Characters • Narratology • Religious identity • Pliny the Elder • Christian Afterlife • Critical edition • Phaedrus • Lucretius • 12 • Virgil • Claudian • Seneca • Philology • Formulas • Ausonius • Ancient roman epic • Vergil • Late Latin literature • Objects • Musisque Deoque • Carmina minora • Roman aristocracy • Misplacements • Symposius • Portraits • Florentine Renaissance • Farewell from elegiac poetry • Latin philology • Roman Senate • Late antiquity • Latin poetry • Animus • Declamationes • Saturnalia • Carmen 9 • Hymnodic formulas • Princeps • John Lydus • De magistratibus • Eratosthenes of Cyrene • Roman Empire • Maximinus • Intertextuality • Dramaturgy • Rusticitas • Roman consulate • Things • Historia Augusta • Principate • Sallust • ‘Doge’ of Venice • Late Latin poetry • Republicanism • am • Alcimus Avitus • Lucan • Epigrammata Bobiensia • Variatio • Macrobe • Griphus • Manuscript tradition • Neo-Latin elegy • Book circulation • Metellus • Cicero • Sidonius Apollinaris • Propertius • Optatianus Porfyrius • Aeneid • Hymn • Laudatio puellae • Experimentalism • 3 • Fortuna • Religion • Roman Republic • Corippus • Vergilian tradition • Martial • Servius auctus • Auienus • Monologue • Clinamen • Machiavelli • Pupienus • Bacchus • Examinatio • Nicolò d’Arco • Propertian intertextuality • Fortuna Catulli • Diomedes • Italian Reinassance • Orality • Scholar exercise • Tacitus (Emperor) • Book 3 • Laocoon • Epos • Venice Ducal palace • Metamorphoses • Latin historiography • Remigius of Reims • Latin Language • Visuality • Balbinus • Epistulae • Catullus • Sidonius • Neo-Latin poetry • Hexameter • Zodiac dish • Peleus • Textual criticism • Cerberus • Book circulation • Conjectures • FAIR principles • Epic poetry • Digital Humanities • Inscriptions • Book of Daniel

Permalink http://doi.org/10.30687/978-88-6969-557-5 | e-ISBN 978-88-6969-557-5 | ISBN (PRINT) 978-88-6969-558-2 | Number of pages 424 | Dimensions 16x23cm | Published Dec. 14, 2021 | Language fr, en, it

Copyright © 2021 Massimo Manca, Martina Venuti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.