Antiquity Studies

Paulo maiora canamus

Collection of Studies for Paolo Mastandrea

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open access | peer reviewed
    edited by
  • Massimo Manca - Università degli Studi di Torino, Italia - email
  • Martina Venuti - Università Ca’ Foscari Venezia, Italia - email

Abstract

This miscellaneous volume in honour of Paolo Mastandrea includes contributions by colleagues and friends dealing with some of the main topics of his scientific interests: intertextuality, late Latin studies, philological problems, the legacy of Classics in Renaissance, digital humanities. The first section, «Literary History and Intertextuality», focuses on special patterns in Latin literature within a very wide chronological range, from Vergil to Optatianus. Specific attention is dedicated to elegy and to mythological characters in elegy and tragedy. The section named «Philological Notes» deals with critical problems within texts by Sallustius, Macrobius and Historia Augusta. The following section, «Late Latin studies», is dedicated to several authors and topics: Simphosius’ Aenigmata, Sidonius, Historia Augusta, Claudianus, Epigrammata Bobiensia, Johannes Lydus and literary topoi used in late Latin texts. The final one, «Classical Reception Studies», examines a few examples of the legacy of Latin authors in the Italian Renaissance. A history of the database Musisque Deoque, along with the future perspectives of this crucial project designed in 2005 by Paolo Mastandrea, are provided in a specific «Appendix».

Keywords Aratus • Neo-Latin poetry • Objects • Roman consulate • Book of Daniel • Ancient roman epic • Christian Afterlife • Vergil • Misplacements • Narratology • John Lydus • Corippus • Laocoon • Hymnodic formulas • ‘Doge’ of Venice • Balbinus • Laudatio puellae • Religion • Historia Augusta • Fortuna Catulli • Musisque Deoque • Epigrammata Bobiensia • Hexameter • Epos • De magistratibus • Italian Reinassance • Fables • Examinatio • Tales • Phaedrus • Book circulation • Classical philology • Propertius • Late Latin poetry • Peleus • Auienus • Principate • Inscriptions • Tibullus • Scholar exercise • Intertextuality • Classical literature • Seneca • Farewell from elegiac poetry • Sidonius • Conjectures • 3 • Philology • Optatianus Porfyrius • Monologue • Cerberus • Propertian intertextuality • Epistulae • Alcimus Avitus • Portraits • Latin philology • Variatio • Animus • Maximinus • Lucan • Clinamen • Late antiquity • Neo-Latin elegy • Hymn • Religious identity • Epic poetry • am • Metamorphoses • Roman Republic • Catullus • Ovid • Roman aristocracy • Declamationes • Rusticitas • Saturnalia • Tacitus (Emperor) • Bacchus • Roman Empire • Roman Senate • Symposius • Eratosthenes of Cyrene • Latin poetry • Latin historiography • Carmen 9 • Fortleben of Classics • Style • Orality • Medea • Bucolics • Catabasis • Virgil • Textual criticism • Venice Ducal palace • Republicanism • Macrobe • Nicolò d’Arco • Pliny the Elder • Cicero • Book circulation • Machiavelli • Servius auctus • Griphus • Manuscript tradition • Carmina minora • Metellus • Fortuna • Characters • Visuality • Princeps • Ausonius • FAIR principles • Late Latin literature • Formulas • Pupienus • Lucretius • 12 • Open data • Claudian • Latin Language • Dramaturgy • Vergilian tradition • Book 3 • Diomedes • Digital Humanities • Experimentalism • Remigius of Reims • Critical edition • Sallust • Martial • Zodiac dish • Aeneid • Florentine Renaissance • Sidonius Apollinaris • Things • Christian literature

Permalink http://doi.org/10.30687/978-88-6969-557-5 | e-ISBN 978-88-6969-557-5 | ISBN (PRINT) 978-88-6969-558-2 | Number of pages 424 | Dimensions 16x23cm | Published Dec. 14, 2021 | Language it, fr, en

Copyright © 2021 Massimo Manca, Martina Venuti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.