Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Negotiation • Moral panics • Sexual assault • Authorship • Critical theory • Extinction studies • China • Marginalisation • Necrocene • Subalternity • Taiwanese identity • Vulnerability • Cold War, Cultural Diplomacy, Modern Dance, United • Literature and Cinema • Art-house cinema • Public sympathy • Taiwan cinema • Loudspeaker • Marketisation • Resistance • Decolonization • Neo-Marxism • Radio • Precarity • Necropolitics • Neoliberalism • Ontological securitisation • Feminism • Meiji Restoration • Noise • Soundscape • National cinema • Transgender • Historical narrative • Postcolonial studies • New historicism • Theatre of power • Psychopolitics • COVID-19 • Fragility • Censorship • Imperial taboo • Cultural analysis • Statues • Chinese art-house cinema • Sound • Political space
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.